Top 100 Songs of 2011 (75-51)

75. Noah & The Whale – L.I.F.E.G.O.E.S.O.N.

Life goes on, and so do Noah & The Whale, continuing to make pleasant, melodic, and carefully-crafted pop ditties.

74. Little Dragon – Ritual Union

A fairly simple tune, but a cracking one at that. A slithering electro r’n’b croon. Fresh to death.

73. The Go! Team – T.O.R.N.A.D.O./Apollo Throwdown

Energy. Piled on top of energy. After eating 10 king-sized Snickers’ bars. And drinking Forty Four Loko’s. With an injection of liquid enthusiasm. And blissed-out happiness. Sounds about right.

72. Mates of State – Sway/Total Serendipity

“Sway” is classic, gratifying Mates of State. “Total Serendipity” is too, but adds a healthy dose of doo-wop/50’s pop construction. There’s nothing they wouldn’t excel at.

71. Red Hot Chili Peppers – Brendan’s Death Song

Divagating from all other offerings on I’m With You, and much of their back catalogue in general, “Brendan’s Death Song” is a fitting eulogy, one that hopefully doesn’t reflect the demise of this all-time great rock band. This song is so good it almost exonerates them from making this average album. Almost.

70. Araabmuzik – Streetz Tonight

Turning Kaskade’s “4 am” on its ear, “Streetz Tonight” bends, prods and pokes the aforementioned song until it becomes a stunning, warped, pace-changing chameleon. And makes it better than the original. Smooth.

69. Digitalism – Circles

I’d always had a soft spot for rectangles, but “Circles” made me see the err of my ways. Probably the most fun on Digitalism’s “I Love You, Dude” LP.

68. Washed Out – Amor Fati

The sound of waves cascading upon neverending waves. The sound of bliss at the beach. The sound of a nostalgia-propelled love. The sound of caribbean-blue waters. Washed out indeed.

67. Rebecca Black – Friday

Not even being ironic. Ok, well, slightly. Actually, not even. Sure, many might consider “Friday” a throw-away piece of superficial pop, while many more might consider it something much worse than that, I choose to subscribe to the idea that it’s a fantastically simple and ear-wormy pop song. Irrevocably part of the pop-culture Zeitgeist of 2011, “Friday” was always meant to soar. Produced by a Nigerian and a Sri Lankan, the Swedes are killing themselves for not having a hand in this.

66. The Rural Alberta Advantage – Stamp

Those frenzied drums. That galvanizing vocal. A wonderfully turgid affair. I stomp to “Stamp” anytime I hear it.

65. Skrillex – Scary Monsters and Nice Sprites/All I Ask of You f. Penny

Skrillex the Illest, The Nimblist Turntablist, The Rumpelstiltskin of Tuneage. Oh My God!

64. Siriusmo – Einmal In Der Woche Schreien

The sound of the kitchen sink being fixed as you’re doing dishes. This song offers a lot, not least of which is a mantra we could all benefit from living by: whatever comes to you, wherever you go, make sure, under any and all circumstances, to scream once a week.

63. Eisley – I Wish/Please

“I Wish” and “Please” are such soft, lilting, delicate beauties. Awash with gorgeous harmonies. Eisley are a treasure.

62. The Vaccines – Post Break-Up Sex

The sound of lover’s excoriating one another. The Vaccines are having post break-up sex, and a lot of it. If subway is a porno for Interpol, well, for The Vaccines, their porno is way less public but no less impassioned. This song is awesome.

61. Beirut – Santa Fe/The Rip Tide

“Santa Fe” is a salient, sun-drenched and sonorous piece of Beirut lore. “The Rip Tide” is calmer, more brooding, more pastoral, and just as good. Zach Condon is limitless.

60. Foo Fighters – Rope/White Limo

“White Limo” is a firecracker wrapped inside a molotov cocktail thrown into a gas leak. “Rope” is the scallywag who threw it. They’re too smart to be caught, so luckily, we can expect more from these seminal rogues.

59. Young The Giant – Cough Syrup

“Cough Syrup” that, unlike Buckley’s, tastes great and also works. Goes down easier than Kim Kardashian on a famous athlete. An impressive debut offering from these California lads.

58. The Ropes – Love Is a Chain Store

A little messy, carrying a heft of ominous and a whole lot of formidable, “Love Is a Chain Store” is essentially a Ladytron song with a focus on guitars and bass. I’m setting up shop.

57. Smith Westerns – All Die Young

A pinch of The Beatles and a smidgeon of MGMT makes a bona fide hit for these young Chicago lads.

56. The Wombats – Jump Into The Fog

It’ll be tough for them to ever reach the dizzying heights of “Moving to New York”, but they put in a yeoman’s effort on “Jump Into The Fog”. A rousing track.

55. Kasabian – I Hear Voices/Goodbye Kiss

Kasabian have come a long way. Their maturation is a pleasure to hear. “I Hear Voices” and “Goodbye Kiss” are melodious, straightforward samplings of their newfangled direction. The music is impeccably constructed on both tracks. Sounds like the beginning of a thrilling chapter in the book of Kasabian.

54. Young Galaxy – Cover Your Tracks/B.S.E.

My favourite part of the Knife-like “Cover Your Tracks” is how Catherine McCandless omnisciently coos, “throw away your letters and numbers and make sure to cover your tracks…” “B.S.E.” is a colourful chimera. The first part of the song is a cozy, catchy, fun little ditty. The second is a serious, stellar-bound statement of intent.

53. Britney Spears – Till The World Ends/How I Roll

Femme Fatale is a slithering shuffle of a sexy record. It’s the best and tightest album she’s ever recorded and these are two of the three best songs on the LP. “Till The World Ends” is a sex maniac, a lewd cavorter, part of a party-hopping hegemony. Good ol’ hedonism. “How I Roll” is fresh, crisp, and Brit is clearly enjoying herself on the track. Kudos to Bloodshy & Avant (a.k.a two-thirds of Miike Snow) for the pristine production.

52. Ricky Martin – Mas

On the list because a) it’s his best song in ten years, and b) he combines the words “boricua”, “Manhattan”, “subway”, “beatbox”, and “electric guitar” — all in the opening line. Mas por favor.

51. Billy Joel – The Downeaster Alexa

Sure I’m over twenty years late discovering this ode-to-the-troublingly-low-reserve-of-fish-in-New-England-waters-for-the-hard-working-fisherman-to-fish banger, but thanks to the Hangover 2, I’ve been enlightened. “The Downeaster Alexa” is simply scintillating.

Top 100 Songs of 2011 (Honourable mention & 100-76)

2011 was replete with an abundance of fantastic music. I’d be remiss if I didn’t mention the tunes that were good but couldn’t find a place in my Top 100. Here they are…

Honourable mention:

Alex Turner – Piledriver Waltz; The Pains of Being Pure at Heart – Belong; Daft Punk – Fall (M83 vs. Big Black Delta remix); Honeychild – The Owl; Martin Solveig f. Dragonette – Hello; Wild Beasts – End Come Too Soon; Joker – The Vision; The Antlers – No Widows; Gang Gang Dance – Adult Goth; We Are Augustine – Chapel Song; Frank Ocean – Swim Good; Lady Antebellum – Just a Kiss; Jennifer Lopez f. Pitbull – On The Floor; The Strokes – Under Cover of Darkness; Cold War Kids – Bulldozer; Cage The Elephant – Aberdeen; Desire – Under Your Spell; Radiohead – Lotus Flower; Wye Oak – Civilian; Tune-Yards – Bizness; Junip – White Rain; Beady Eye – The Beat Goes On; The Naked & Famous – Girls Like You; Patrick Wolf – The City; Crystal Fighters – Home; Blue October – The Feel Again (Stay); Lights – Toes; Evanescence – Lost in Paradise; Hot Chelle Rae – Bleed; Fefe Dobson – Can’t Breathe; The Sheepdogs – I Don’t Know; Jay-Z & Kanye West – No Church in The Wild; Emmy The Great – Paper Forest (In The Afterglow of Rapture); Jessie J. – Price Tag; Karen O., Trent Reznor & Atticus Ross – Immigrant Song; Ellie Goulding – Lights; KO – Moving Mountains; The Script – Science & Faith; Into the Clouds – The Sound of Arrows; Foster the People – Waste; AWOLNATION – Sail; The Death Set – I Miss You Beau Velasco; The Chemical Brothers – Escape 700; Baden Baden – 78; Armistice – City Lights Cry; Buck 65 f. Jenn Grant – Paper Airplane; Rainbow Arabia – Without You; Hooray For Earth – Comfortable, Comparable; Astral Rejection – I Set My Friends on Fire; Iamamiwhoami – T; The Get Up Kids – Pararelevant; Active Child – Playing House.

If that cracking collection of songs couldn’t fit into my top 100, those that did must be pretty monumental. They are…

100. The Japanese Popstars – Song For Lisa

Dance-tastic, flighty and levitating. Watch your head.

99. Shakira f. Pitbull – Rabiosa

If you don’t like this song, Pitbull will bite you en la boca. I’m not taking that chance, thanks. If it were Shakira on the other hand…

98. Pitbull f. Ne-Yo, Afrojack & Nayer – Give Me Everything

If you don’t like this song, Pitbull, Ne-Yo, and a couple other cats will bite you not only en la boca, but also en el cerebro; again, call me risk averse, but I’m willing to err on the side of caution and avoid the possibility. Just grab somebody sexy, tell em hey!

97. Chris Brown – Yeah x3

Chris (Blonde a la Demolition Man Wesley Snipes) Brown hits wicked hard on this song. He hits three things undeniably hard: his vocals, his dance moves, and, um…I’m forgetting the last thing.

96. Grouplove – Betty’s Bomb Shell

Just has that je ne sais quoi. A tranquil jaunt down memory lane.

95. Monarchy f. Rokhsan – I Won’t Let Go

Surprisingly affecting for a relatively simple dance-pop song. I hear a bit of Hot Chip, Gabriel & Dresden, and Chris Isaak in “I Won’t Let Go”. Quite the mix. Ears, transfixed.

94. Creature – So High

Blondie meets Dragonette meets a lingerie photo shoot. What’s the address?

93. USS – Prefontaine/Yo Hello Hooray (Everyday)

Ash Boo-Schultz and The Human Kebab deliver again on their nostalgic sojourn of an EP, Approved. USS have the gift of inane gab, constructed carefully in their secret sonic lab. Always fun.

92. The Sounds – Yeah Yeah Yeah/The Best of Me

Sweden, Sweden, got me believin’, that melody’s a gift you be constantly thievin’.

91. Panic at The Disco – Memories/The Ballad of Mona Lisa

Their latest LP Vices and Virtues, was wildly surprising for its depth of quality. Cast as write-offs from the long since dead emo era of the early aughts, PATD have quietly matured into a really good band. Highlighting their well-honed sense of melody and songcraft, “Memories” and “The Ballad of Mona Lisa” are instantly gratifying.

90. Arctic Monkeys – Suck It And See/Love is a Laserquest

If you don’t believe me, suck it and see for yourself. I’ll just go ahead and put you down in the ‘yea’ camp. It’s rather amazing how good Arctic Monkeys have become at making music, how comfortable they sound in their own skin.

89. Geographer – Kites (Limousines remix)

One of the most obscure songs of the year, “Kites (Limousines remix)” hand-glides around the sky with nary a care in the world. It’s not coming down any time soon.

88. Yellowcard – The Sound of You and Me/For You and Your Denial

Yellowcard are back and masters of their domain. Both “The Sound of You and Me” and “For You and Your Denial” are relentless smashes.

87. Charlie XCX – Stay Away

Rambunctious, raucous, trapping pop. Nothing less.

86. When Saints Go Machine – Kelly

Weird, catchy, body-propelling, fantastic. When Saints Go Machine is part Depeche Mode, part Antony Hegarty (specifically “Blind” with Hercules & Love Affair), part feral cave-dweller and disco head-bopper. An engaging confluence indeed.

85. Vanbot – Maybe

“Maybe” is literally unsure, but at its heart, it consoles and cajoles. Vanbot and Young Galaxy are kindred spirits.

84. Austra – Darken Her Horse/The Beast

Two staggering tracks from Austra’s debut record. “Darken Her Horse” is focused and sharp. “The Beast” is tender and plangent. Whoa — what an effort.

83. D-Sisive – No More Words/#1 Record

Nothing in hip-hop moves me much anymore — wait a sec, hold the phone. Toronto rapper D-Sisive obliterated my ideas on the genre with his amazing Jonestown 2: Jimmy Go Bye Bye LP. This man has a voice and he intends to use it. A special lyricist with some thunderous beats.

82. Noel Gallagher’s High Flying Birds – AKA… What a Life!/AKA… Broken Arrow

What a comeback. Noel’s still got it — in spades. Both “AKA” tracks are phenomenal. That Noel has come up with so many compelling melodies over the years is kind of unbelievable. At this point, I think he might be a sorcerer. In fact, let’s take out the might. He is clearly a sorcerer. And I’m elated to be under his spell.

81. Florence & The Machine – No Light No Light

One of the standout tracks from the formidable follow-up LP, Ceremonials, “No Light No Light” is a regal slice of pop buoyancy.

80. Ladytron – White Gold/Melting Ice

Featuring the typical Ladytron sound, “White Gold” and “Melting Ice” carry extra brawn, making them impossible to resist. Bulking up (sans HGH) suits Ladytron well.

79. Lady Gaga – Marry The Night/Born this Way/Judas

The beats are supple, boisterous, and resilient; the hooks are epinician, diligent and aplenty. Gaga is The Queen of Pop, but also The King, The Prince, The Princess, The Court Jester, The Soothsayer, The Witch, The People, and The Dominion itself. We’re at her beck and call and I’m ok with that.

78. Blink-182 – Ghost On The Dance Floor/Snake Charmer

From their solid comeback album, Neighborhoods, “Ghost On The Dance Floor” and “Snake Charmer” are rife with might, vigour, and urgency. The perfect mix of Angels and Airwaves and +44. What do you know, that equals the new Blink-182. It was always going to happen this way.

77. Manchester Orchestra – Leaky Breaks

A redoubtable song at peace with itself. “Leaky Breaks” is considerate and reflective; the guitars canoodling with the casual beat at every turn. A pensive song. A baby-making one too.

76. Neon Indian – Polish Girl

How does one put the essence of an entire culture and sexual orientation into a song? Sounds kind of biggoty. I’m willing to cut Neon Indian some slack though; this song is elusive and fanciful. Too many influences to mention here. The end result is startlingly good.