Top 100 Songs of 2011 (75-51)

75. Noah & The Whale – L.I.F.E.G.O.E.S.O.N.

Life goes on, and so do Noah & The Whale, continuing to make pleasant, melodic, and carefully-crafted pop ditties.

74. Little Dragon – Ritual Union

A fairly simple tune, but a cracking one at that. A slithering electro r’n’b croon. Fresh to death.

73. The Go! Team – T.O.R.N.A.D.O./Apollo Throwdown

Energy. Piled on top of energy. After eating 10 king-sized Snickers’ bars. And drinking Forty Four Loko’s. With an injection of liquid enthusiasm. And blissed-out happiness. Sounds about right.

72. Mates of State – Sway/Total Serendipity

“Sway” is classic, gratifying Mates of State. “Total Serendipity” is too, but adds a healthy dose of doo-wop/50’s pop construction. There’s nothing they wouldn’t excel at.

71. Red Hot Chili Peppers – Brendan’s Death Song

Divagating from all other offerings on I’m With You, and much of their back catalogue in general, “Brendan’s Death Song” is a fitting eulogy, one that hopefully doesn’t reflect the demise of this all-time great rock band. This song is so good it almost exonerates them from making this average album. Almost.

70. Araabmuzik – Streetz Tonight

Turning Kaskade’s “4 am” on its ear, “Streetz Tonight” bends, prods and pokes the aforementioned song until it becomes a stunning, warped, pace-changing chameleon. And makes it better than the original. Smooth.

69. Digitalism – Circles

I’d always had a soft spot for rectangles, but “Circles” made me see the err of my ways. Probably the most fun on Digitalism’s “I Love You, Dude” LP.

68. Washed Out – Amor Fati

The sound of waves cascading upon neverending waves. The sound of bliss at the beach. The sound of a nostalgia-propelled love. The sound of caribbean-blue waters. Washed out indeed.

67. Rebecca Black – Friday

Not even being ironic. Ok, well, slightly. Actually, not even. Sure, many might consider “Friday” a throw-away piece of superficial pop, while many more might consider it something much worse than that, I choose to subscribe to the idea that it’s a fantastically simple and ear-wormy pop song. Irrevocably part of the pop-culture Zeitgeist of 2011, “Friday” was always meant to soar. Produced by a Nigerian and a Sri Lankan, the Swedes are killing themselves for not having a hand in this.

66. The Rural Alberta Advantage – Stamp

Those frenzied drums. That galvanizing vocal. A wonderfully turgid affair. I stomp to “Stamp” anytime I hear it.

65. Skrillex – Scary Monsters and Nice Sprites/All I Ask of You f. Penny

Skrillex the Illest, The Nimblist Turntablist, The Rumpelstiltskin of Tuneage. Oh My God!

64. Siriusmo – Einmal In Der Woche Schreien

The sound of the kitchen sink being fixed as you’re doing dishes. This song offers a lot, not least of which is a mantra we could all benefit from living by: whatever comes to you, wherever you go, make sure, under any and all circumstances, to scream once a week.

63. Eisley – I Wish/Please

“I Wish” and “Please” are such soft, lilting, delicate beauties. Awash with gorgeous harmonies. Eisley are a treasure.

62. The Vaccines – Post Break-Up Sex

The sound of lover’s excoriating one another. The Vaccines are having post break-up sex, and a lot of it. If subway is a porno for Interpol, well, for The Vaccines, their porno is way less public but no less impassioned. This song is awesome.

61. Beirut – Santa Fe/The Rip Tide

“Santa Fe” is a salient, sun-drenched and sonorous piece of Beirut lore. “The Rip Tide” is calmer, more brooding, more pastoral, and just as good. Zach Condon is limitless.

60. Foo Fighters – Rope/White Limo

“White Limo” is a firecracker wrapped inside a molotov cocktail thrown into a gas leak. “Rope” is the scallywag who threw it. They’re too smart to be caught, so luckily, we can expect more from these seminal rogues.

59. Young The Giant – Cough Syrup

“Cough Syrup” that, unlike Buckley’s, tastes great and also works. Goes down easier than Kim Kardashian on a famous athlete. An impressive debut offering from these California lads.

58. The Ropes – Love Is a Chain Store

A little messy, carrying a heft of ominous and a whole lot of formidable, “Love Is a Chain Store” is essentially a Ladytron song with a focus on guitars and bass. I’m setting up shop.

57. Smith Westerns – All Die Young

A pinch of The Beatles and a smidgeon of MGMT makes a bona fide hit for these young Chicago lads.

56. The Wombats – Jump Into The Fog

It’ll be tough for them to ever reach the dizzying heights of “Moving to New York”, but they put in a yeoman’s effort on “Jump Into The Fog”. A rousing track.

55. Kasabian – I Hear Voices/Goodbye Kiss

Kasabian have come a long way. Their maturation is a pleasure to hear. “I Hear Voices” and “Goodbye Kiss” are melodious, straightforward samplings of their newfangled direction. The music is impeccably constructed on both tracks. Sounds like the beginning of a thrilling chapter in the book of Kasabian.

54. Young Galaxy – Cover Your Tracks/B.S.E.

My favourite part of the Knife-like “Cover Your Tracks” is how Catherine McCandless omnisciently coos, “throw away your letters and numbers and make sure to cover your tracks…” “B.S.E.” is a colourful chimera. The first part of the song is a cozy, catchy, fun little ditty. The second is a serious, stellar-bound statement of intent.

53. Britney Spears – Till The World Ends/How I Roll

Femme Fatale is a slithering shuffle of a sexy record. It’s the best and tightest album she’s ever recorded and these are two of the three best songs on the LP. “Till The World Ends” is a sex maniac, a lewd cavorter, part of a party-hopping hegemony. Good ol’ hedonism. “How I Roll” is fresh, crisp, and Brit is clearly enjoying herself on the track. Kudos to Bloodshy & Avant (a.k.a two-thirds of Miike Snow) for the pristine production.

52. Ricky Martin – Mas

On the list because a) it’s his best song in ten years, and b) he combines the words “boricua”, “Manhattan”, “subway”, “beatbox”, and “electric guitar” — all in the opening line. Mas por favor.

51. Billy Joel – The Downeaster Alexa

Sure I’m over twenty years late discovering this ode-to-the-troublingly-low-reserve-of-fish-in-New-England-waters-for-the-hard-working-fisherman-to-fish banger, but thanks to the Hangover 2, I’ve been enlightened. “The Downeaster Alexa” is simply scintillating.

Top 100 Songs of 2009 (25-11)

25. The Big Pink – Dominos

They don’t come much bigger than this. Intention, chorus, beat, swagger: all larger than life. Sure, in one respect it’s a boastful song about the ease of female conquest, but moreover it sounds like the celebration of life and the possibilities therein if you believe you’re bigger than it all. And we all need pick-me-up songs like this, so rock the funk on Big Pink, rock on. Bonus points because I don’t think I’ve heard a song with such obvious braggadocio since mid 90’s Oasis, and that is a welcome reference point if ever there was one. The Big Pink sound like an amalgam of some of the coolest bands ever (Oasis, The Verve, Chemical Brothers, Black Rebel Motorcycle Club, The Jesus & Mary Chain), and for picking such wicked influences, they get a mega middle finger up in the air.

24. Frightened Rabbit – The Modern Leper

The first amazing song I discovered in 2009. A winter pick-me-up of the warmest kind. “Are you, a masachist?!?!?” Scott Hutchison pleads over and over in this wonderful and powerful song. The Scots struck gold with this one. One of the most likeable songs you’ll come across. Is it possible to root for a song? I think it is, and I would go to bat for this one. It’s the accent, it’s the buildup, it’s the lyric, it’s the urgency…it’s a revelation.

23. Arctic Monkeys – Crying Lightning

Alex Turner and co. return with another winner for a lead single, but turn down the adrenaline several notches from the typhoon of noise that also goes by “Brianstorm”. This song may be a bit slower in tempo, but it still affirms Arctic Monkeys as a youthful band with oodles of charm, slickness, and charisma to offer. I feel like they’re winking at listeners and saying, “you didn’t think we’d come at you like this, did you?” With a lead singer and drummer who are so far ahead of the class, I think they are going to come at us in myriad ways for many, many years. Well done lads.

22. The Tragically Hip – The Last Recluse

Maybe the most “modern” song The Hip have ever done, and they pull it off with aplomb. Lyrically as strong as always with hooks and melody seeping out of the very fabric of the song. “Who are you? The last of the immune?” Mr. Downie asks. I’m not immune, and I’ll willingly catch this fever every single time. Builds to such a strong crescendo with a multitude of musical layers, battering the listener into submission. I love the Gregorian-chant-style vocal that enters at 2:28. Also contains maybe my favourite lyric of the year, “Who are you? The last Canada goose?”. Distinctly and proudly homegrown, once again ladies and gentlemen, Canada’s best band ever, The Tragically Hip

21. The Temper Trap – Sweet Disposition

I read a review of this song that was some of the most cynical garbage I’ve ever read. Will every song be patently original? No. Will every song break ground into new sonic territory? No. Music should make you feel something. This song floats on a cloud and makes love to the sky, kissing it, whispering sweet nothings into its ear and comforting it even in the face of impending darkness. The vocal melody is so gorgeous it could melt even the coldest of hearts.

20. Silversun Pickups – Substitution

Firstly, I’m not convinced this is the best song on the OMFG-good Swoon, and in fact it might not even be top three, but it is my favourite–at the moment. When a band releases an album this strong, favourite tracks tend to change fairly often. “Substitution” does have a certain je ne sais quoi about it though, a mostly straightforward rock ditty that simply clicks. I’m convinced this song was born hypogean styles–bred in a laboratory a hundred feet underground and fed the weirdest and most random things until it burst through earth’s top soil and penetrated air itself to gain traction, unable and unwilling to ever leave the atmosphere. Brian Aubert is a monster and roofie-spreader. I hope he never changes. Bonus points for the simple/extremely cool video with models playing musical chairs.

19. Grizzly Bear – While You Wait for the Others

I don’t have much to say other than this song makes me feel super happy and Grizzly Bear are absolutely amazing at four-part harmonies. Crazy, crazy good.

18. Death Cab for Cutie – My Mirror Speaks

Recorded during the Narrow Stairs sessions, I can only assume they didn’t want to collapse the music industry by making too good of an album, so they saved this whopper for the quite good Open Door EP. So, so, so catchy, with a bountiful spirit to boot. Ben Gibbard is one of the best lyricists in music, and he’s more than on point with this one. I can see a couple different ways to read this one. DC4C are in top form.

17. Wild Light – Heart Attack

This song is wickedly immediate and writhes with intensity in the verses before relenting a bit during the chorus. “I have watched you break your back, what comes next, a heart attack?” sheds light on the perils of the hustle-and-bustle lifestyle, and pleads for contemplation, relaxation and perspective to maintain sanity. A great point in today’s world, and it fits well with such an aurally pleasing tune.

16. Ra Ra Riot – Can You Tell

Boy and girl wake up next to each other, she, having to extricate herself from his grasp as she gets up to stretch and him, reticent to leave bed. A kettle is put on in the kitchen, they have a cup of tea while eating some toast with home-made jam. Seeing that the jam is almost finished, they smile at each other and know what to do…they move outside and take in the mid-morning sunshine. She takes a deep breath and smells thyme and rosemary growing in the front yard. He inhales a sense of calm and sneaks a smile as she’s on bended knee, examiningthe first growth of a rose bud. Taking each other’s hand, they proceed to walk down a path, marvelling at the clearest of blue skies and warmth of early spring. A sparrow tends to its young up in a tree and the world seems to stop moving. Nothing else is important. It is their surroundings, it is their hearts aflutter, it is them… Walking deeper into the forest, rays of sunlight pierce through and touch ground, as a butterfly’s multi-coloured imprint is accentuated in the sunlight. Finally they reach their mysterious destination and come upon a plant unlike any other. It is somehow able to grow raspberries, strawberries, blueberries, boisonberries, and blackberries, all on its relatively few branches. Happy at the sight of this wonderful and surreal piece of nature, he begins to pick some of the berries as she unwraps a loin cloth to put them in. Laughing as they pick and eat them, he comes in for an unexpected kiss, her blushing matching the vibrant red shade of the raspberries. They start to go back to the house, but not before they each give thanks in their heads. He for the Caribbean-blue water starkness of her eyes. She for the crimson-red hue that adorns his lips. Both of them for their one-of-a-kind tree and moreover, each other.

15. Florence & The Machine – Dog Days Are Over

“Happiness, hit her! Like a bullet in the head!” sings the irrepressible and incomparable Florence Welch. Coincidentally enough, I felt like a bullet hit me in the head the first time I heard this song. It was poppy but soul-infused. It was mesmerizing and otherwordly. And that voice. Oh my word, that voice. Ms. Welch has one of the strongest voices I have ever heard, and she puts every ounce of strength into her vocal performance, whether she’s singing in a hushed whisper like in the first few words of this track or when she loosens her belt and goes apeshit when the first “happiness” comes in. From one of the best debuts of the year, a shining star is born.

14. White Lies – To Lose My Life

Epic pop/rock through and through. Channeling Joy Division, New Order and The Killers, White Lies bring more than morsels of menace to their particular brand of synth-pop. “Let’s grow old together, and die at the same time.” Okay. It’s worth noting that their other undeniable hit, “Death”, was one of my favourite songs of 2009 also, but it was so good in its limited release last year that I had it in my top thirty of 2008. I wouldn’t forgive myself if I pushed another song out at the expense of double-listing “Death”, as great of a song as it is, so I mention it again to make myself feel better. Exhale.

13. M83 – We Own The Sky

A perfect summation of what it feels like to be in love. It took me a while to appreciate “Kim & Jessie”, but it took me even longer to see what a beast of a tune “We Own The Sky” is. This song flies Urbi et Orbi, to the city and to the world, making stops to drop little pieces of heaven wherever it goes. I love how this blends the most perfect pop sensibilities with the understanding that the best dance songs build to a climax and add layers every few bars to hit the spot. By the end of the song, there are so many sounds layered on top of each other that I can barely make them all out; I can also barely remember where I am as this song takes me to such a far off place. Anthony Gonzalez is a genius.

12. Lady Gaga – Bad Romance

Wow did this song shoot up the list like a bat out of hell. This is the sound of a woman knowing exactly what she needs to sound like in order to capitalize on the attention she’s drawn to herself. At first I didn’t think this song was much of anything. Then I gave in a bit and thought the verses were absolutely mega and the chorus was ho hum. Then I gave in even more and realized the chorus is indescribably massive. Combined with the sick-as-funk bridge, the cascading synths that rain down like an anti-moribund monsoon, and the passion with which she belts it out, Gaga has created a monster of the most malevolent kind. She has a vision: she is the new Queen of Pop and if you don’t like it, you don’t matter because she’s going full steam ahead no matter what. Pop hasn’t sounded this energized in a long, long time. Bonus points for the cool-as-hell video and the what-the-hell is she saying “Whatjabaromance”.

11. Beirut – No Dice

I’m not a huge fan of March of the Zapotec and Realpeople – Holland, not because it isn’t any good, but mainly because Zach Condon’s previous releases have changed the way I thought and felt about music–tough shoes to keep laced–and it almost by definition couldn’t keep up. I understand the record is more of a collection of stuff he’s had sitting around his house, and I understand that he wanted to show people he was more than just an amazing brass instrumentalist and far-older-and-wiser-than-he-is vocalist, hence the foray into electronics. It took a couple listens, and then I realized the exercise in reflection was all worth it, thanks to the best electro-pop instrumental song of the year, otherwise known as “No Dice”. DJ’s all over the world would kill to have cut this track, and the guy who helped redefine the boundaries of Indie comes along and let’s this banger loose without breaking a sweat. Unreal. I believe Zach Condon can do absolutely anything musically. I also think he’s probably Batman, Santa Claus, the Pope, LeBron James, Seth MacFarlane, and the Smoke Monster from Lost on the side. Show-off.