blondfire | The Pun Is Sure

Top 20 Songs of April 2014

For those that haven’t read one of my “Best Of” lists before, the reason why I do a tally of the songs I listen to most is because I can’t stop looking for new music, can’t stop attempting to feel the textures, shapes, and movements contained within (new) songs. Beyond that, I really enjoy sharing the music I discover and listen to most because I think these are fantastic songs that I wish to be heard by as many ears as possible. I know not everyone pursues (new) music with the same vigour that I do, so this is my attempt at being a curator, connector, reflector. Music is everywhere, but it’s sometimes in places you wouldn’t expect. To hear it, both in obvious and unfamiliar places, is to breathe sound.

20. Great Good Fine Ok – You’re The One For Me

This sounds like the beginning of summer. This is a good thing.

19. Kyla La Grange – The Knife

So obvious, the sonic and titular ode to Sweden’s finest brother and sister duo, but still, so good.

18. Gypsy & The Cat – Sorry

Fantastic group name. Delectable tune.

17. GRL – Ugly Heart

Super-catchy pop.

16. Movement – Like Lust

Music like this inspires movement. Movement comprised of shifting and swaying. At once cooing and decaying. Like taking a photograph of intimacy with a camera clouded by smoke. There’s something about the movement. Something like lust.

15. Beck – Blue Moon

I hadn’t liked a Beck tune since “Lost Cause”. “Blue Moon” changed that.

14. Blondfire – Kites

Pretty straightforward pop, but there’s something about it that draws me in.

13. Massari – What About The Love

His head kind of reminds me of shaved coconut doused with vaseline for ergonomic purposes, but I have to give the man credit, his last couple releases have been pop bangers.

12. Lady Gaga – Artpop

When I first heard her Artpop album, I focused on several other tunes and missed giving this one its due. Mistake rectified. This is another hit from the Haus of Gaga.

11. Tensnake f. Fiora – No Relief

Really, really, really like this tune. There’s something about the reserved but pleading vocal that meshes so well with the uncomplicated beat.

10. Bleachers – I Wanna Get Better

Sounds like a sun-bleached Vaccines song, and there’s absolutely nothing wrong with that. In fact, it’s fantastic.

9. The Horrors – So Now You Know

Extremely impressive effort from the English lads, from which I hadn’t heard anything since (the still great) “Still Life”.

8. Duck Sauce – NRG

Duck Sauce is a duo consisting of electro heavyweights Armin Van Helden and A-Track. Dance/Pop/House doesn’t get much more fun than this.

7. Dum Dum Girls – Too True To Be Good

Dee Dee Penny is a goddess. This is a wicked song from a teflon strong album.

6. Rita Ora – I Will Never Let You Down

Rita Ora’s new tune is a massive juggernaut. One of the best pop songs of the year thus far.

5. Future Islands – Like The Moon/Doves

Like The Moon:

Future Islands are so consistently brilliant that it was tough to give all 10 songs equal attention at first. I quite enjoyed “Like The Moon” from the first listen, I just gave more spins to other tracks. This is by no means representative of this song’s quality, as “Like The Moon” is astoundingly good. It’s sleek and sexy and groovy, and oh yeah, the jaw-droppingly good fan-made video culls together scenes from a 1981 Russian Sci-fi movie. Of course it’s perfect. It couldn’t have been anything else.

Doves:

My god, the gusto with which Sam T. Herring attacks this performance is incredible. “Doves” is yet another standout track from what I consider to be the album of the year thus far, Future Islands’ Singles.

4. The War On Drugs – Under The Pressure

There is something so endearing and nostalgic about “Under The Pressure”. It sounds like riding a Chevy pickup across the late 1980’s American Midwest. This song is a long-lost cousin of Don Henley’s “Boys of Summer”. That’s a family BBQ I’d love to crash.

3. Sam Smith – Stay With Me/Stay With Me (Rainer & Grimm Remix)

Stay With Me:

I had heard the song before, but I first truly heard “Stay With Me” when Sam Smith performed it on the Louis CK-helmed episode of Saturday Night Live earlier this year. I was immediately floored. Sam Smith is going to be a massive star and “Stay With Me” will be a big reason why.

Stay With Me (Rainer & Grimm Remix):

Amazingly, this remix is as good as the original. I have no doubt it’ll end up one of my top remixes of the year when 2014 is done.

2. Kyla La Grange – Cut Your Teeth

One of the best pop songs of the year, and I firmly believe it’ll stay that way. The come-in of the base-like synthesizer at 1:04 is devastating. The backing vocal that supports the hushed primary vocals is superb. There are hooks galore. The video is super cool too. This is a banger in need of no mashed. Kyla La Grange has a strong collection of tunes in her catalogue, but she deserves to break big on the back of this pop behemoth.

1. Future Islands – Spirit

My Top 20 Songs of March list contained several Future Islands songs. I could’ve made that entire list from everything on FI’s latest album, Singles. But I showed some level of restraint, the kind that a person whose name rhymes with Toranje knows not of, but the kind that a person whose name rhymes with Hay-Z knows all too well. Restraint is good. It allows one to shine a light on other wonderful pieces of music. And to avoid getting arrested for things that rhyme with Bromestic Chiolence.

Everything in its time. And April was the time I played Future Islands’ “Spirit” over and over, combing the track to the over. The song is absurdly catchy, and I love the low register Sam T. sings at in the opening couple verses. This could be a huge hit if given the right push, but then again, so could any song on Singles. I adore the lyric, “don’t cast away, don’t cast away, don’t let them cast a role for you…” In any font, on every front, Future Islands won, so sung the conch.

Top 100 Songs of 2012 (100-76)

Pop goes 2012 (or 2012 goes Pop, depending on your syntactical druthers) is one accurate way of describing the musical zeitgeist of the year. Like I always do, and have done since as long as I can recall, I’ve Embraced The Pop. From unadulterated teeny-bop pop, to sax pop, to Spurs’ Coach Pop, to soda pop, to synth pop, there’s been a tonne of pop to get cozy with recently. And the revelatory thing is that much of it has been really, really good. I can’t recall a year where so many “designed to hit” pop songs have been fantastic. Sure, some pop, maybe a whole bunch depending on the platform(s) from which you get your music, is lifeless and dull and space-clogging shite. But that goes for all music really, and of all forms of pop culture too. It saddens me a little that many people choose to focus on trite pop and paint the entire genre (or amalgam of sub-genres as it were) with an unnecessary-, superfluous-coloured brush. I love reading lists, and seeing what other people have found great in a given year, but it strikes me as uninteresting at best and dishonest at worst when lists that purport to be the “best of” an entire year make a point of ignoring so much from the jump. A great song is a great song, and can be so for a variety of reasons. My list is welcoming to all types of songs; I’ll take your coat, but you’ve got to bring your own hooks if you want to come inside.

2012 has been such a good year for music (the best I would say since I started thinking about listing songs back in 2006), that I’ve had to tweak the rules a little bit to shine a light on all the songs that deserve to have a light (however small) shone on them. I’ve decided to make my 2012 list The Year of Partnerships, or as 1997 would say, collabos. As such, many songs on this list have partner songs, just so I can fit in all of the year’s goodness without hating myself, so “Top 100” is a loose directive that’s massaged a few times during the proceedings. As far as the actual rankings go, the process was almost like throwing darts. A song that ranked in the 90’s could be argued for in the 20’s, and a song in the 60’s could be a top 10 song in another year. But this is not another year, this is 2012, the year where Psy Gangnam-Styled his was into our hearts and ears, Mitt Romneyed his way into a solid 2nd place finish, Usain Bolted his way onto golden Olympus Mountain, Cats cemented their role as world policy deciders and undisputed internet champions, Felix Baumgartner jumped off the top rope for a massive Jimmy Superfly Snuka flying elbow, and the world ended in a Blaze of Glory, just like Bon Jovi Nostradamused, twenty-something years ago… which brings me back on point — I want to get this list out before literally, Pop Goes The World (http://www.youtube.com/watch?v=3zUUtf7gOe8)

Here is the first part of my Top 100 Songs of 2012 list, beginning with tracks that fell just short.

Honourable mention: Alanis Morisette – Empathy; Alberta Cross – Lay Down; Animal Kingdom – Strange Attractor; Ben Howard – Only Love/Esmerelda; Boys Noize – Got It (f. Snoop Dogg/OS Snoop Lion); Breton – Jostle; The Boom Circuits – Everything and Nothing; California Wives – Purple; Chrome Canyons – Generations; Danny Brown – Grown Up; Eels – Peach Blossom; Flo Rida f. Sia – Wild Ones; Fun. – Some Nights; Future Islands – Crish (Javelin remixxx)/Cotton Flower; Green Day – Let Yourself Go/Fell For You/Wild One/Amy; How to Destroy Angels – On The Wing; Julio Bashmore – Troglodytes; Kate Boy – Northern Lights; Katy B. – Anywhere In The World; Kesha vs. The Beatles – Tik Tok Together; Lana Del Rey – Body Electric; Lawrence Arabia – Apple Pie Bed; Lifehouse f. Natasha Bedingfield – Between The Raindrops; Lioness – The Night; Linkin Park – Burn It Down/Castle Of Glass; The Lumineers – Ho Hey; Mac Miller – Donald Trump/Knock Knock; Madonna – Gang Bang; Major Lazer – Get Free; Maps & Atlases – Important/Fever; Morning Parade – Youth/Headlights; Mother Mother – Let’s Fall In Love; MYPET – Pays To Know; The Neighbourhood – Sweater Weather; Nicki Minaj – Freedom; One Direction – One Thing/More Than This/I Wish/Tell Me A Lie/Stole My Heart; Our Lady Peace – Heavyweight; Parade – Light Me Up; Passenger – Let Her Go; Phantogram – Don’t Move; Plants and Animals – Lightshow; Purity Ring – Obedear; Red Hot Chili Peppers – Magpies On Fire; Santigold – Disparate Youth; Six Organs of Admittance – Hold But Let Go; Schoolboy Q – There He Go; The Tallest Man on Earth – Leading Me Now; Tame Impala – Feels Like We Only Go Backwards; Tomas Barfod f. Nina Kinert – November Skies; The Tragically Hip – At Transformation/About This Map; Twin Shadow – Five Seconds; Villagers – Nothing Arrived; The Wanted – Glad You Came; Walk The Moon – Anna Sun; Yacht Club – Flash; Zammuto – YAY; Donkeyboy – Caught In a Life.

100. a) A.C. Newman – I’m Not Talking