My Top 20 Songs of May 2013

10 songs? No chance. 15? Way too tough on my psyche. I recently broke up with my lightning insurance provider (he wanted to be more — including coverage for thunder, limb loss from trampolining, and rashes stemming from excessive koala cuddling —  I thought we were good as is), so my mental stability is currently a tad tenuous. Any other traumas and I’d be off a bridge. To make sure that doesn’t go down, I had to expand this list to 20 songs. Really, I’d no choice. May left me no options. May right be done by this list. May was the best month of music I’d experienced in as long as I can remember. Maybe, definitely.

May

So much awesome tuneage. So little 31 days. Here’s what I listened to/loved the most…

20. Phosphorescent – Song For Zula/Muchacho’s Tune

“Song For Zula” is still in my brain. I can’t shake it. I have a feeling I won’t be able to for quite some time. “Muchacho’s Tune” is similarly beautiful. Phosphorescent are legit.

19. The Belle Game – River/Wait Up For You

A pair of pretty, catchy tracks from two Chicago siblings.

18. Isle of Rhodes – Shoulders/So In Love

Brooklyn never sleeps.

17. Churchill – Change

The chorus is a beast of a sing-a-long.

16. Rilo Kiley – Runnin’ Around

I can always count on Jenny Lewis and company.

15. Daft Punk – Giorgio by Moroder

Bad. Ass. Everything about it.

 

14. London Grammar – Wasting My Young Years

My god this song is exquisite.

 

13. Lilly Wood and The Prick – Where I Want To Be (California)

Ever wonder what Lady Gaga would sound like if she sung Indie/Alternative/Pop? Play the track.

 

12. Charli XCX – You (Ha Ha Ha)

Really good use of fantastic source material, even if the sentiment has been bastardized.

 

11. Vampire Weekend – Diane Young

Love the lyrical double entendre. Love the track. Vampire Weekend are as big as they should be.

 

10. Valleys – Hounds/See The Moon

Montreal, raise your head up out of the (electro, pulsating, ominous) shadows. Valleys, you’ve crafted a marvellous debut. These two songs are exhibits A and B. Impressive stuff.

 

9. Slowriter – Silver Spaceships/April 8

Weird. Wacky. Wonderful. I hope Bryan Taylor and this band get the recognition they deserve for Trailblazer.

 

8. Frank Turner – Recovery

A little Noel Gallagher. A little Streets. A little Ed Sheeran. A lot of fantastic. This is a hit.

 

7. Paramore – Hate To See Your Heart Break/Last Hope

Frankly, I didn’t know they were capable of songs like these. “Misery Business” and “That’s What You Get” were and remain sensational emo/pop/alt songs. But I can’t suggest for a second that I thought they had something like “Hate To See Your Heart Break” in them. It’s pretty, demure, vulnerable, honest. Emotionally bare. It could be the best song they’ve ever done. “Last Hope” is also a beast of a song. Hayley Williams and Paramore have jumped up about 63 levels with their latest, eponymous album. I’m taken aback. Wow.

 

6. Mariah Carey f. Miguel – #Beautiful

Too bad the video sucks, because this is the best song Mariah’s done since “We Belong Together”. And what can be said of Miguel? His vocal is outstanding. He never drops the ball. He kicks ass. I’ll stick my neck out and hope not to get hurt by the assertions.

 

5. Cold War Kids – Bitter Poem/Bottled Affection

Simply put, “Bitter Poem” gives me chills. It did after the first listen. It did after 5. After 10. It still does. I think it might always. I’d be okay with that. “Bottled Affection” tells my ears that Cold War Kids can mold song form into whatever they want. Dear Miss Lonelyhearts is the most consistent — and best, front to back — album CWK’s have ever done.

 

4. Ambassadors – Unconsolable

Don’t recall how I found this track. Boy I’m glad I did. It’s frickin’ awesome. If you like AWOLNATION, this track is for you.

 

3. Biffy Clyro – Folding Stars

“Folding Stars” is from 2007, but I’ve only recently discovered it. I think I spent a solid 88 hours in May (shy guesstimate) singing “Eleanorrrrrrrr, Eleanorrr” at all levels of inappropriateness. 360p for life.

 

2. Best Coast – Fear Of My Identity

Can. Not. Stop. Singing/Humming/Blasting/Tapping Feet To/Robbing Banks To. This.

 

1. Haerts – Wings

Hailing from Germany, England, and the U.S., Haerts bring together all manner of influences/eras on this absolutely soaring track. It sounds like 1983. The video looks like it was shot then too (I’ve linked the original video they released several months ago. They’ve a newer one, in 1080p, on Vevo, but there’s something about the former that’s more charming). But Hearts are tricksters. That melody — my god, that melody — is timeless. Nini Fabi’s vocals (with a seasoning of Susanna Hoffs peppered in here and there) are beyond ethereal, majestic — they’re abracadabra magic.

I don’t exactly know why I think of Chvrches when I hear Haerts, but I do. They don’t really sound like each other, and it’s clear their influences lie in different areas. It’s just that Chvrches have released about 4 perfect (I really mean perfect) pop songs this year, the kind that a band is lucky to have one of in their careers, and I thought they’d remain peerless in that regard for ages. I didn’t think anything or anyone could touch them. I was wrong. They have a friend now to play with high atop Mt. Poplympus. The St. Lucia (of course, it all makes sense) produced “Wings” is nostalgia, recollection, fondness, anchored in its multiple pounding, blood-driving, healthy, huge haerts.

Top 100 Songs of 2011 (Honourable mention & 100-76)

2011 was replete with an abundance of fantastic music. I’d be remiss if I didn’t mention the tunes that were good but couldn’t find a place in my Top 100. Here they are…

Honourable mention:

Alex Turner – Piledriver Waltz; The Pains of Being Pure at Heart – Belong; Daft Punk – Fall (M83 vs. Big Black Delta remix); Honeychild – The Owl; Martin Solveig f. Dragonette – Hello; Wild Beasts – End Come Too Soon; Joker – The Vision; The Antlers – No Widows; Gang Gang Dance – Adult Goth; We Are Augustine – Chapel Song; Frank Ocean – Swim Good; Lady Antebellum – Just a Kiss; Jennifer Lopez f. Pitbull – On The Floor; The Strokes – Under Cover of Darkness; Cold War Kids – Bulldozer; Cage The Elephant – Aberdeen; Desire – Under Your Spell; Radiohead – Lotus Flower; Wye Oak – Civilian; Tune-Yards – Bizness; Junip – White Rain; Beady Eye – The Beat Goes On; The Naked & Famous – Girls Like You; Patrick Wolf – The City; Crystal Fighters – Home; Blue October – The Feel Again (Stay); Lights – Toes; Evanescence – Lost in Paradise; Hot Chelle Rae – Bleed; Fefe Dobson – Can’t Breathe; The Sheepdogs – I Don’t Know; Jay-Z & Kanye West – No Church in The Wild; Emmy The Great – Paper Forest (In The Afterglow of Rapture); Jessie J. – Price Tag; Karen O., Trent Reznor & Atticus Ross – Immigrant Song; Ellie Goulding – Lights; KO – Moving Mountains; The Script – Science & Faith; Into the Clouds – The Sound of Arrows; Foster the People – Waste; AWOLNATION – Sail; The Death Set – I Miss You Beau Velasco; The Chemical Brothers – Escape 700; Baden Baden – 78; Armistice – City Lights Cry; Buck 65 f. Jenn Grant – Paper Airplane; Rainbow Arabia – Without You; Hooray For Earth – Comfortable, Comparable; Astral Rejection – I Set My Friends on Fire; Iamamiwhoami – T; The Get Up Kids – Pararelevant; Active Child – Playing House.

If that cracking collection of songs couldn’t fit into my top 100, those that did must be pretty monumental. They are…

100. The Japanese Popstars – Song For Lisa

Dance-tastic, flighty and levitating. Watch your head.

99. Shakira f. Pitbull – Rabiosa

If you don’t like this song, Pitbull will bite you en la boca. I’m not taking that chance, thanks. If it were Shakira on the other hand…

98. Pitbull f. Ne-Yo, Afrojack & Nayer – Give Me Everything

If you don’t like this song, Pitbull, Ne-Yo, and a couple other cats will bite you not only en la boca, but also en el cerebro; again, call me risk averse, but I’m willing to err on the side of caution and avoid the possibility. Just grab somebody sexy, tell em hey!

97. Chris Brown – Yeah x3

Chris (Blonde a la Demolition Man Wesley Snipes) Brown hits wicked hard on this song. He hits three things undeniably hard: his vocals, his dance moves, and, um…I’m forgetting the last thing.

96. Grouplove – Betty’s Bomb Shell

Just has that je ne sais quoi. A tranquil jaunt down memory lane.

95. Monarchy f. Rokhsan – I Won’t Let Go

Surprisingly affecting for a relatively simple dance-pop song. I hear a bit of Hot Chip, Gabriel & Dresden, and Chris Isaak in “I Won’t Let Go”. Quite the mix. Ears, transfixed.

94. Creature – So High

Blondie meets Dragonette meets a lingerie photo shoot. What’s the address?

93. USS – Prefontaine/Yo Hello Hooray (Everyday)

Ash Boo-Schultz and The Human Kebab deliver again on their nostalgic sojourn of an EP, Approved. USS have the gift of inane gab, constructed carefully in their secret sonic lab. Always fun.

92. The Sounds – Yeah Yeah Yeah/The Best of Me

Sweden, Sweden, got me believin’, that melody’s a gift you be constantly thievin’.

91. Panic at The Disco – Memories/The Ballad of Mona Lisa

Their latest LP Vices and Virtues, was wildly surprising for its depth of quality. Cast as write-offs from the long since dead emo era of the early aughts, PATD have quietly matured into a really good band. Highlighting their well-honed sense of melody and songcraft, “Memories” and “The Ballad of Mona Lisa” are instantly gratifying.

90. Arctic Monkeys – Suck It And See/Love is a Laserquest

If you don’t believe me, suck it and see for yourself. I’ll just go ahead and put you down in the ‘yea’ camp. It’s rather amazing how good Arctic Monkeys have become at making music, how comfortable they sound in their own skin.

89. Geographer – Kites (Limousines remix)

One of the most obscure songs of the year, “Kites (Limousines remix)” hand-glides around the sky with nary a care in the world. It’s not coming down any time soon.

88. Yellowcard – The Sound of You and Me/For You and Your Denial

Yellowcard are back and masters of their domain. Both “The Sound of You and Me” and “For You and Your Denial” are relentless smashes.

87. Charlie XCX – Stay Away

Rambunctious, raucous, trapping pop. Nothing less.

86. When Saints Go Machine – Kelly

Weird, catchy, body-propelling, fantastic. When Saints Go Machine is part Depeche Mode, part Antony Hegarty (specifically “Blind” with Hercules & Love Affair), part feral cave-dweller and disco head-bopper. An engaging confluence indeed.

85. Vanbot – Maybe

“Maybe” is literally unsure, but at its heart, it consoles and cajoles. Vanbot and Young Galaxy are kindred spirits.

84. Austra – Darken Her Horse/The Beast

Two staggering tracks from Austra’s debut record. “Darken Her Horse” is focused and sharp. “The Beast” is tender and plangent. Whoa — what an effort.

83. D-Sisive – No More Words/#1 Record

Nothing in hip-hop moves me much anymore — wait a sec, hold the phone. Toronto rapper D-Sisive obliterated my ideas on the genre with his amazing Jonestown 2: Jimmy Go Bye Bye LP. This man has a voice and he intends to use it. A special lyricist with some thunderous beats.

82. Noel Gallagher’s High Flying Birds – AKA… What a Life!/AKA… Broken Arrow

What a comeback. Noel’s still got it — in spades. Both “AKA” tracks are phenomenal. That Noel has come up with so many compelling melodies over the years is kind of unbelievable. At this point, I think he might be a sorcerer. In fact, let’s take out the might. He is clearly a sorcerer. And I’m elated to be under his spell.

81. Florence & The Machine – No Light No Light

One of the standout tracks from the formidable follow-up LP, Ceremonials, “No Light No Light” is a regal slice of pop buoyancy.

80. Ladytron – White Gold/Melting Ice

Featuring the typical Ladytron sound, “White Gold” and “Melting Ice” carry extra brawn, making them impossible to resist. Bulking up (sans HGH) suits Ladytron well.

79. Lady Gaga – Marry The Night/Born this Way/Judas

The beats are supple, boisterous, and resilient; the hooks are epinician, diligent and aplenty. Gaga is The Queen of Pop, but also The King, The Prince, The Princess, The Court Jester, The Soothsayer, The Witch, The People, and The Dominion itself. We’re at her beck and call and I’m ok with that.

78. Blink-182 – Ghost On The Dance Floor/Snake Charmer

From their solid comeback album, Neighborhoods, “Ghost On The Dance Floor” and “Snake Charmer” are rife with might, vigour, and urgency. The perfect mix of Angels and Airwaves and +44. What do you know, that equals the new Blink-182. It was always going to happen this way.

77. Manchester Orchestra – Leaky Breaks

A redoubtable song at peace with itself. “Leaky Breaks” is considerate and reflective; the guitars canoodling with the casual beat at every turn. A pensive song. A baby-making one too.

76. Neon Indian – Polish Girl

How does one put the essence of an entire culture and sexual orientation into a song? Sounds kind of biggoty. I’m willing to cut Neon Indian some slack though; this song is elusive and fanciful. Too many influences to mention here. The end result is startlingly good.