Top 100 Songs of 2009 (50-26)

50. White Rabbits – Percussion Gun

The best song that Cold War Kids didn’t release this year. The drumming is cool and the vocal is tight and urgent.

49. Ubiquitous Synergy Seeker – Laces Out

They can do buck wild with the best of them. This song attests to their wicked strong pop instincts.

48. In-Flight Safety – Model Homes

They are not re-inventing the wheel with this one, but they are patently honest and believable. I haven’t rooted for Maritimers this much since the Trailer Park Boys.

47. The Maine – Ho Ho Hopefully

The best Christmas song of the year, by far. I heard Santa cried when he first heard this song, then Mrs. Claus told him to stop being so Emo, then he cut his wrists, then she patched it up with love and candied tears, then they made sweet, cherubic love.

46. Grizzly Bear – Two Weeks

A band in their prime, brimming with melodies and musical ideas to spare. I feel really warm when I listen to this song, warm like my body is layered in longjohns wrapped in longstockings covered in leopard-skin leotards. This song is luscious to its very core. Bonus points for probably my favourite video of the year, an amazing visual trip.

45. Backstreet Boys – Bigger

Far and away the best song on their mostly forgettable new record, this tune proves they can fit Adult Contemporary bliss in their back pocket. Max Martin was, is and will forever remain an indomitable Swedish treasure.

44. Muse – Undisclosed Desires

They cannot top the catchiness of “Starlight”, but they come close here. This is “Starlight’s” dirtier, younger, troublemaking cousin. For such a gitchy tune, designed to make people raise hands and give in, that is some pretty grimey bass-slapping action going on in the chorus. An underrated and sneaky part of the song comes in at 3:06, with some low level background crooning from Mr. Bellamy. Slyer than Stallone and slicker than Rick.

43. Hot Chip – Take It In

This song hasn’t been out long, but the chorus soars so high it renders its late year release moot. The chorus is baby-powdered with pure lilac and doused with the serenity of sage. A chorus like this comes around once a career for most bands. Simply breathtaking.

42. Silversun Pickups – There’s No Secrets This Year

There are no secrets and there are no explanations worthy of a song that froths with so much vigour, intensity, and excitement. The bravado of this album-opener is unparalleled. (“I’ll tell you a secret, let’s make this perfectly clear, we’ve got roofies in here” Those who know will know.) Bonus points for the minute lead into “The Royal We”.

41. Placebo – Julien

Probably Placebo’s most club-ready song, and probably their buck-nastiest track to date. A foot-tapper of epic proportions; I’m confounded as to why this song has yet to be released as a single. “Julien, you’re being taken, for a ride…” So are we, and rarely has it been so much fun.

40. Metric – Waves

I can’t believe this song didn’t make Fantasies. The absolute opposite of a B-side. This song is sweet, light and unfathomably catchy.

39. Casiotone for the Painfully Alone – Scattered Pearls

It was a fait a compli, this song is as pure as a white lilly. The most innocent song of the year and undoubtedly one of the best.

38. Tiesto f. Tegan & Sara – Feel It In My Bones

The best electronic song of the year. Clearly the best song on his bloated and not so good Kaleidoscope. Should have been the first single, but will settle for being the biggest hit. A really concise instrumental aided by an awesome vocal turn by Tegan & Sara. The tune gets particularly massive at 3:00. What dance/trance/pop should aspire to be, though it rarely hits like this.

37. Animal Collective – Brother Sport

“Open up your throat,” open up your mind, open up your heart, and there will be no stopping the force of nature that is “Brother Sport”. When I listen to this song, I hear celebration, all-encompassing and glorious from the first second to the last.

36. The Stills – I’m With You

Just your classic pop-rock perfection, no more and no less.

35. M83 – Kim & Jessie

This song came out in early 2008, and I liked it then and for the rest of that year. It became the most beautiful explosion of hope, promise, and relaxation this year. Anthony Gonzalez layers so much in this tune, it seems impossible to get sick of. The nearly incomprehensible lyric adds to the charm of this marvelous song. If you were an animal being built from scratch, this song is the sound of your exoskeleton fusing with your muscular and nervous systems to make you feel…alive.

34. The Killers – A White Demon Love Song

An intriguing departure for The Killers. This doesn’t necessarily sound like them, but as usual, it is one super bad-ass tune. The chorus, in particular, slithers along at its own deliberate pace, led by that lazy bassline. The chorus is cacophonic, like a bear choking on malaise and tonic. I don’t think they’ve ever double-tracked a vocal with such disparate octaves. It’s the pace, it’s the chorus, it’s the trumpet add-on in the last section, it’s the question, “White demon, open your heart skull, white demon, who let your friend…go?”.

33. The Boxer Rebellion – Evacuate

The best free iTunes “song of the week” of the year–by miles and miles and days and days. This song is so energetic it couldn’t be further from rigormortis than prime-era Clinton Portis.

32. Noah & The Whale – Blue Skies

A song about heartbreak and reflection that can’t help but feel cathartic and transcendent. Such a pretty, precious song. Having shown a knack for writing the sweetest new-folk/indie/pop around, Noah & The Whale have settled comfortably and beautifully into their own collective skin.

31. Maximo Park – Let’s Get Clinical

I’m still not even sure this is the best song on the album, because top to bottom, Quicken The Heart is consistently strong. This tune has been my favourite for the longest period of time, if only because of her, if only because “I’d like to map your body out, inch by inch, north to south…”.

30. JJ – Things Will Never Be The Same Again

The best jungle-prancing song of the year. Somehow Max & Carol are having a rumpus to this song, somehow two people are falling in love to this song, and somehow, this is the sound of summer in all its sun-kissed glory.

29. Placebo – Kings of Medicine

The epic album-closer. My favourite tune on the record. The song with the grandest aspirations, musically and lyrically. It has the bright sheen that Placebo have recently discovered, but it also carries a heft of Meds’ doldrums-focused attitude. I preferred Placebo when they were revelling in dirt and passed out on the floor, but knowing they can sound this good when they step out of the darkness gives me hope. It’s the gorgeous piano melody and the soaring brass that goes regal at 3:40. It’s funny that the word “kings” is in the title, as pretty clearly, this song is the sound of a coronation. “Don’t leave me here, to pass through time, without a map or road sign,” Brian croons. With Placebo doubling as the newly crowned “Kings of Medicine”, I don’t fear for the direction of the dominion. Placebites rejoice, the reign continues.

28. Neko Case – This Tornado Loves You

This tune is equipollent to her balladry, a swirling concoction of sounds and images. There is not much more to say than Neko Case is the best female singer-songwriter on the planet right now and that I love everything she stands for and makes me feel. I can penetrate her songs with a depth and appreciation that is pretty much an impossibility with anyone else. Strength, power, and beauty incarnate.

27. Julian Casablancas – Out of the Blue

I wonder what seeing his fellow Strokes’ brethren release sturdy record after sturdy record did to him? It sure as hell didn’t slow him down, that much is apparent. The Stroke with the most obvious pop instincts, Casablancas lets loose on this song, the album-opener from his generally strong Phrazes For The Young. There are hooks left, right, and centre. There are synths galore. There are inspired vocals. There is pop magic at its core. “How could you be, so perfect for me?”. You are “Out of the Blue”, you are. Bonus points for making me think of her when I hear it.

26. Alexisonfire – The Northern

They specialize in anthems and have had oodles in their young and so far spectacular career, and this track will surely come to be revered alongside the best of them. This song is their pop masterstroke to date. Everybody is hitting on all cylinders here. It’s Dallas’ double-tracked vocals to begin the song and George breaking down not only the door at the 2:40 mark, but pretty much demolishing an entire skyscraper with hundreds of sticks of dynamite. “I want to go…to heaven…roll Jordan, rolllllllllll Jordan.” Well, at least you’ve got St. Pete’s attention now. That beginning riff is OMG-crunchy. Buck Nasty is the name of what’s going on here.

Top 100 Songs of 2010 (25-11)

25. The National – Conversation 16

The most affecting song on the sublime High Violet LP. It’s miserable, taut, cathartic and illuminating. Matt Berninger sounds more than sad, he sounds like he’s about to jump. Not possessing the strength to stop himself, he relents, “I was afraid I’d eat your brains…cause I-I-I’m evil…” A downtrodden ne’erdowell with a penchant for cannibalism is probably not ideal company. But when he’s this expressive and parallel-world romantic, I think most would glady acquiesce. The sound of a band at their scintillating best, I don’t see how The National can top High Violet and “Conversation 16”. An instant classic.

24. Bombay Bicycle Club – Always Like This

A song that I quite liked last year but one that I truly recognized this year —  a vexing, haunted lament of a tune. This song has left me non-plussed because it starts out so jauntily and then when least expected, it goes all translucent harmony and transfixing. It’s a close-your-eyes, take-a-deep-breath-and-enjoy kind of moment. Radiant music supplemented by a beautiful lyric. Those poignant, unmitigated words, “I’m not whole, I’m not whole, you waste it all; oh you can wait for what I can give; you know what I am, so you know how I live; try to look proud, but you’re not in the slightest; it’s happening now and it’s always been like this.” Seminal stuff from this awesome English band.

23. Gold Panda – You

Loquacious stuff from Derwin Panda, a ballad containing an astonishing 550 words in under four minutes. Just kidding. Containing only three words, “you”, “and” and “me”, the song is vocoded, chopped and screwed yet somehow manages to end up sounding like it lives and breathes among human kind. The song is a fervent and rejoicing love song — incredible considering it repeats only three words, over and over and over. The best electronic music pushes through its technical definitions and seeks to find a connective element that resonates with the listener. Gold Panda has hit the jackpot in that regard. Affectionate at its lily-blossoming core, a love letter simply asking for more, “You” is me, us and everyone else. An impressive trick.

22. The Knife – Colouring of Pigeons

The bewilderment. The grand finale. The dare. The OMG they didn’t. The 2+2=tongue. Come again? The move from an upper-east side flat to the Amazon forest. The Darwin-inspired opera. The reuniting of Karen Dreijer Andersson and brother Olof. The sound of lifting up a sewer drain and having a three-eyed lizard invite you down for some crumpets and English Breakfast tea. The agitated, berserk, rabid genius. The sounds-like-absofunkinlutely-nothing-made-by-anyone-else-on-this-planet-not-that-anyone-could-even-if-they-tried opus. The cymbal at second one. The ominous prayer. The Guillermo Del Toro-style phantasmagoric. The insanity of it all. The growth. The not giving a shit. The crowning. The answer. What was the question?

21. Interpol – Memory Serves

“Obstacle 1”, “C’Mere”, “Slow Hands”, “The New”, “Evil”, “PDA”, “Roland”, “Pioneer to the Falls” and “No I in Threesome” are some of the best songs Interpol have ever done. “Memory Serves” has just joined the fracas. Tension-filled, as the self-titled LP was the last one to be recorded with lauded rhythmic gymnast Carlos D., the issues within the group bleed onto the record. It makes for a more interesting listen; a frenetic, guitars-crashing-in-waves clusterfuck of a song. Thankfully before he left, the band came up with this delerious, hyperkinetic slow jam. While the guitars do all the heavy lifting, the bass saunters in and smokes a cigarette whilst Paul Banks hypnotizes with his slow rolling delivery. The boys are back.

20. Gorillaz – On Melancholy Hill

Dreamy, playful, yearning and floating gently towards Plastic Beach. Gorillaz have had an awesome run over the past three albums, but “On Melancholy Hill” is probably the catchiest song they’ve ever put to record. It also wins the award for song sounding most like its title. The song is melancholic, and it’s knowing, as if on a hill of some kind observing a town or group of people, able to see their follies, but unable to send word of how to fix them. Damon Albarn sounds relaxed but anxious, contemplative but unsure, able but unwilling. The sound of unrequited love, “On Melancholy Hill” is simply a fantastic song.

19. Miike Snow – Cult Logic/Silvia

From the eponymous debut of October, 2009 (and also the deluxe edition release of 2010), “Cult Logic” is simply bad-ass. Its magnetism is instantly rewarding. From the opening second, the song hooks. Simple, straightforward and stirring, “Cult Logic” is St. Peter, waiting at the gates of Dance-pop Heaven, judging those wanting to get in. “Silvia’s” allures are harder to reach. It’s about a feeling. It’s about a point in time. It’s about a destination…You have to bargain with “Silvia” to truly receive its gifts, but the good thing is, whatever you end up giving it, you get more in return. Cascading synths, a consistent piano melody and free-roaming, emotive distortion of the vocals make “Silvia” utterly unique.

18. Marina & The Diamonds – Are You Satisfied?/I Am Not a Robot

The statement of intent and the statement of being. The call to arms and the construction of a moat. The question and the answer.  “Are You Satisfied?” and “I Am Not a Robot” are amazing in equal measure however different the path they take to get there. “Are You Satisfied?”, the thrilling album opener from the unbelievable Family Jewels LP leaves no room for interpretation as to what Ms. Marina Diamandis is after — success. She’s welcoming stardom with a cheeky smile, prodding it with a stick and taunting it with a school-yard sing-along. This woman will get what she wants. There’s simply no other way. “I Am Not a Robot”, oh “I Am Not a Robot”. You are a stunningly vital piece of music. A defence mechanism of a song. Sung with chemical-weapon force, you can hear the exact moment when she becomes a Hypergiant star. The moment happens at 0:47 and things are not the same after that point. Sure, the song is jaunty like Madoff schemes Ponzi, but the sheer horsepower of Diamandis’ voice is what carries this song into another universe. I want to enter into a common law relationship with this song after only a few months of seeing it. We’ll see how things work out, but I’m so optimistic that I want to go furniture shopping and sign up for that joint bank account.

17. Glasser – Home/Apply

“Home”; the caressing, tender, slow-building ode to familiarity. “Apply”; the ritual, the fire, the unknown. Cameron Mesirow has authored two staggeringly different and affecting songs with “Home” and “Apply”. Chanting home over and over again, Mesirow sounds like she’s yearning and celebrating — the difference is irrelevant. When the elevating synth comes in at 1:11, it propels the track to mountain tops like Eyjafjallajokull chose to randomly pop. “Apply” stalks the listener, like a pack of lions moving with calculation toward a zebra — the black and white coloured animal doesn’t stand a chance. Neither did we. The sound of a woman birthing a fantastical intention. Surreal and dazzling.

16. Manic Street Preachers – Some Kind of Nothingness/Golden Platitudes

I’m going to limb out and say that Manic Street Preachers are the most underrated English band of the past 25 years. Hell, they might be the most underrated band on the planet. Anything you could possibly want from a vital rock band — scathing, earnest wit; raw, biting rock ‘n roll; luscious, angelic melodies. James Dean Bradfield, Nicky Wire, Sean Moore and the ghost of Richey Edwards have done it all. The Holy Bible, Everything Must Go, This Is My Truth Tell Me Yours, Journal For Plague Lovers and now Postcards From a Young Man are proof that the Manics are capable of anything. Self-described as the “singles” album, Postcards From a Young Man, a stark departure from the awesomely coarse previous effort JFPL, it’s the sound of the band taking a long, relaxing cruise with melody and making sweet love to it on a nightly basis. Man, did it produce some pretty babies. “Some Kind of Nothingness” is nostalgic and love-torn, erupting into the choir-led refrain, “Remember you? Stretched ouuuuuuttttt in the sun. All alone forever, conclusions foregone…” “Golden Platitudes” is equally awesome. JDB longs for the bygone, but damn does he sound great singing it. Again, a choir joins to refrains of “La la la la la lahhh” and the band sounds like they’ve just created a religion with their exuberance. Wildly impressive stuff — again — from the Welsh vets.

15. The New Pornographers – Crash Years

The catchiest thing they have done in a lonnnnnggggg time. Usually, The New Pornographers charms are hidden — purposely — as they, generally speaking, have more fun that way. “Crash Years” is different. It’s smack-your-face instant. It’s the whistling. It’s the “tonight will be an open mic.” It’s Neko. It’s always Neko. Grab a hand and sing-along. There’s nothing else to do.

14. Foals – This Orient

An awe-inspiring, fast-paced, thrilling, layered, nuanced song from the Total Life Forever record. The Oxford, England band achingly repeat: “it’s your heart; it’s your heart, that gives me this Western feeling.” They keep saying it’s someone else’s heart that makes them swoon, when in actuality, it’s theirs all along. Foals’ Statue of David. Electrifying.

13. Brandon Flowers – Crossfire

Crossfire would stand up as one of the best Killers’ tracks, and it most certainly is the best Brandon Flowers track on the otherwise disappointing Flamingo (excepting “Welcome to Vegas”). It’s possible BF is saving the rest of the A-material for the next Killers record. God I hope so. Nevertheless, “Crossfire” is a commanding, smashing standout of a song. Brandon Flowers has never really used his falsetto like he does in this song, and the result here is gorgeous. A pop-rock juggernaut of a song. Well done BF. More please.

12. Kanye West f. Dwele – Power/Blame Game f. John Legend & Chris Rock

“No one man should have all that power?” Really? Because that sounds like an awfully facetious statement by Kanye, considering he’s the most powerful dude in music. I didn’t really like “Power” at first. I thought it was a decent beat, but it didn’t hit me. Then, after a certain number of listens, I was bludgeoned over the head with a stick and that has allowed me to see (hear) much more clearly. Kanye is burning in “Power”, and his smouldering presence is hella palpable. It’s the choir led-loop to start the song. It’s the lyric. It’s the deep-breath comedown at 3:20. Bonus points for how “Power” fit so well with The Social Network teasers. “Blame Game” is a different animal. It’s the prettiest melody Yeezy’s ever been a part of. Sure, it samples Aphex Twin’s gorgeous “Avril 14”, but that shouldn’t take anything away from “Blame Game”; Kanye makes it his breathtaking own. It’s the aching violin. It’s the angelic piano line. It’s the supportive bass. The music is resplendent, awesome considering its belied by one of the dirtiest, biting lyrics of the year. John Legend sounds great, Kanye slays and Chris Rock is a riot. Bonus points to the hint of laughter from Yeezy’s ex-chick as she tells Rock who, ahem, reupholstered a certain part of her anatomy. Yeezy learned. Now Yeezy teaches.

11. Hot Chip – Take It In

It’s pretty simple: “Take It In” was in my top 50 songs of 2009, and I had listened to it quite it a bit. In 2010 though, I saw it for what it is, namely, the sweetest, warmest, most comforting song of the year. Buoyed by that bewitching, once-in-a-lifetime chorus, “Take It In” is the best song the amazing Hot Chip have ever done. There’s just not much more to it than that. Supreme and vital.