Top 10 Songs of Summer 2014 That Are Not From 2014

Part of the joy of summer is listening to music, whether it’s outside on a sunny day, by the water, at the cottage, or out for a jog. And often times, the summer songs that give us pleasure aren’t necessarily new. Listening to old(er/ish) songs during summer has a unique power: it can place us in a memory from the distant past, make time seem to stand still, and fill a moment with pure, unencumbered peace. It has the power to conspire with the elements, warm, sun-filled air, whistling trees, and roving clouds, to make one smile. That’s some kind of experience.

I’ve decided to issue a list of the “oldies” that helped make my summer a special one. Here are the top ten songs I listened to this summer that are not from 2014.

10. Pablito Ruiz – Oceano

Thanks Daniel for this one. I was linked to a story that suggested Tame Impala’s “Feels Like We Only Go Backwards” ripped off the melody from this old South American pop song. I think the assertion is a steaming pile of bile, but one good thing came of it: I was introduced to this awesome pop ditty. So Menudo. So Melody. So my main man, Pablito.

 

9. The National – Bloodbuzz Ohio

Still so poignant. Still so frothing with everyman hurt. Still amazing.

 

8. New Pornographers – Bleeding Heart Show

I come back to this song pretty often, but this summer, I spinned it a few times, and its magic awoke something wonderful in me. It’s how it’s divided in two, AC Newman’s plaintive croon in the first half, and the most pie-in-the-sky thing the New Pornographers have ever done, the second half, where the music takes off, and Neko, dear Neko, soars. There is no end to the enjoyment I get from hearing, mouthing, and singing, “We have arrived, too late to play, the bleeding heart show.”

 

7. Morrissey – Every Day Is Like Sunday

A little embarrassed and a little miffed that I just discovered this gem over the summer. “Every Day Is Like Sunday” is a tune that represents what I love most about Morrissey, on his own or with The Smiths: rainy, gloomy, gutterific lyrics buoyed by sun-drenched music and coruscating melodies.

 

6. Daniel Lanois – The Maker

HOW!? How in the world!? How in the world had I not heard this treasure before this summer? No answer I can proffer would be a justification, so I simply shrug my shoulders and say, I missed it. But on the bright side, at least this gorgeous song, a classic by any definition, with its indelible guitar riff and fantastic lyrics, is new to my ears. Speaking of the bright side, the reason I came to this song was by way of The Killers. As they’re wont to do, they typically perform at least one cover song during each of their shows, and said cover typically has some special meaning to the city in which they’re playing. When they visited Quebec City in July, they performed this piece of magic by Daniel Lanois, who was born in Quebec. (Aside: The Tea Party have also covered this song in the past, and awesomely, are including a version of it on their new album, The Ocean At The End.)

 

5. The Temper Trap – Love Lost

If “Love Lost” was lost on me before, it isn’t any more. It’s not as if I didn’t like the song when I first discovered The Temper Trap, it’s probably more of a case where “Sweet Disposition”‘s star was so enormous and bright that it cast shade on every other song on Conditions. So I missed connecting with “Love Lost” at the time. This has been rectified. It’s a wonderful song with great keyboards, guitars, and of course, as always, a smouldering Dougy Mandagi vocal.

 

4. Manchester Orchestra – I Can Feel A Hot One

I think “I Can Feel A Hot One” is one of the best 10 songs of the past 10 years. I feel quite strongly about that statement. The song absolutely slayed me the first time I heard it, and time has not loosened its grip on my ears, my heart. “I Can Feel A Hot One” is one of the most spine-tingling, powerful, sad, destructive, instructive, songs I’ve ever heard. It is, without a shadow of a doubt, one of the best songs I’ve ever heard. I keep coming back to it. I always — always — will.

 

3. Matthew Good – Born Losers

“Well there ain’t nothing to this but your daughter, and the life you would not give her, break your plans.” This line gets me every fucking time. It’s the lyric itself, but the way Matthew Good sings it is incredible. There is no confusing Matthew Good’s intent as he sings it; it’s all he’s saying — it’s all he means. Fully. Whatever comes of it. It’s been said. I wonder what this song means to him, seven years after its release. It still means so damn much to me. My favourite song by Mr. Good. His best, I do believe.

 

Bonus: Non Populus

I came across a song I’d never heard by Matthew Good this summer, “Non Populus”. What a track. An epic sprawl of guitars, the song had me by the throat after one listen. “Let it be done to you…” No problem, I’m down.

 

2. La Roux – As If By Magic/I’m Not Your Toy

La Roux’s self-titled debut album, five years later, remains incredible. “Bulletproof”, “Quicksand”, “Reflections Are Protection”, “Colourless Colour”, “Cover My Eyes”, et al were amazing the first time I heard them, and they’ve remained so. What’s become clear to me too, is that there are two songs that should have been huge hits, but for reasons unknown, were not. “Bulletproof” is a classic pop song, of this there can be no debate. But I firmly believe “As If By Magic” and “I’m Not Your Toy” are right there with it. Played both of these tracks ad nauseam this summer.

 

 

1. The Tea Party – Psychopomp

As I played “Psychopomp” over and over and over and over this summer, a thought dawned on me: it could be the best song The Tea Party has ever done, the best song by a Canadian band ever. I’m not saying this as an incontrovertible fact, but it can’t be ruled out. It’s the unparalleled musicianship. It’s, of course, the melody. It’s clearly, utterly, the lyrics. It’s how the indomitable Jeff Martin begins the track admonishing the listener with some kind of dark peace. It’s how the dominating Jeff Martin sings the second half with a raucous rage, a fiery belly embedded with a ferocious beauty. It’s not as if by magic. It most definitely is.

Top 20 Songs of June 2014

The month that popped. As much as I love pop music, I seemed to listen to an inordinate amount of it June. This is only because some awesome pop tunes were released or came to my ears in June. This is a good thing. Here’s the list of my Top 20 Songs of June.

20. jj – All White Everything

All white indeed. Glad to hear them back with new material. They have a way with breezy electronica unlike any other act.

 

19. Kylie Minogue – Crystallize

Best Kylie song in years.

 

18. Kyla La Grange – Fly/Get It

I’ve heard a lot from Kyla La Grange this year, being exposed to her for the first time with the immaculate smashes “Cut Your Teeth” and “The Knife”. She just dropped a new album, and there a bunch of super-catchy electro-pop ditties on it. Her lilting falsetto works well with the dark-meets-light synth tracks. This is evidenced best on “Get It” and “Fly”.

Get It:

Fly:

 

17. Omar Souleyman – Wenu Wenu

Love this track, and was very fortunate to have seen Omar perform at NXNE’s Vice Island (with Le1f and Future Islands). Not the most demonstrative character, but this song is gitchy galore.

 

16. Lil Jon – Turn Down For What

Waaaay late to this party. Still, a massive pop/hop/club banger that I couldn’t turn down, no matter what.

 

BONUS VIDEO: Hilarious video of Star Trek set to “Turn Down For What”.

 

15. Charli XCX – Boom Clap

One of the best poppers around. Charli’s new single is a winner.

 

14. Le1f – Boom

“Boom” is hella catchy, and Le1f is really good live. An engaging showman.

 

13. Royksopp & Robyn – Monument

I think I may have been too quick to anoint “Every Little Thing” the far-and-away best track Royksopp and Robyn’s recently released EP. “Monument” definitely gives ELT a run for its money. Both are dynamic, slithering, pulsating electro-pop gems. “Monument” is even more of a slow-burn, an ode to shooting for the moon, a thriller of a pillar, a huge hoarder of brick and mortar. Royksopp and Robyn are a lethal combination.

 

12. Sia – Chandelier

I do believe Sia is the best pop songwriter of the past several years. Her touch has lifted so many huge pop singles to glory. She’s kept a massive hook for herself here, and “Chandelier” borders on the outermost limits of the atmosphere.

 

11. Tove Styrke – Even If I’m Loud If Doesn’t Mean I’m Talking To You

What’s with amazing pop stars from Sweden named Tove?! Tove Styrke has been away for a few minutes, but she’s burst back onto the scene with a hulking and dizzying dancer of a tune.

 

10. Foster The People – Best Friend

At present, I don’t love Foster The People’s second record. I quite like two songs from it, “Coming of Age” and the follow-up single, “Best Friend”. This is the song that most harkens back to the wonderfully catchy gaiety of their indomitable debut album.

 

9. The Griswolds – Red Tuxedo

Short, pretty, and unusually sweet, “Red Tuxedo” is a warm, sunny ballad that possesses just the right amount of nostalgia-laced ache.

 

8. Wye Oak – Glory

Best song I’ve ever heard from Wye Oak. “Glory” is wickedly catchy.

 

7. The Alternate Routes – Nothing More

What a fantastic melody. Thanks to TC for the heads up on this band!

 

6. La Roux – Let Me Down Gently (Sailors Remix)

One of my favourite remixes of the year. Sailors have done an exceptional job retaining the hooks and upping the playfulness quotient, contrasting the brooding original with this reflective yet skip-to-my-louing banger.

 

5. Ed Sheeran – Sing

It took me a little while to come around on “Sing”. A couple months actually. I was so in love with several of the songs from Ed’s debut record + (“The A Team”, “Drunk”, “Small Bump”, and “Lego House”) that I think I held whatever he released next to an unreasonable standard. And it’s not that “Sing” is necessarily an inferior song to those other tracks. It’s just different, a cocksure pop song designed for radio domination. Perhaps I just like it best when Ed Sheeran lets his voice, guitar, and preternatural way with melody shine through. “Sing” is not that simple, with its knife-sharp sheen and flawless Pharrell production, that it took a while for me to fall for its charms. Fallen I have. It’s just a song mate, and it’s a bloody catchy one at that.

 

4. 5 Seconds Of Summer – She Looks So Perfect

Completely chock-full of hooks in every fathomable nook and cranny. This is a perfect pop/alt song.

 

3. Tove Lo – Over

On repeat throughout June, “Over” is a marvellous pop song. Tove Lo’s impassioned vocal dips and soars and prods and pleas in this gem of a tune. Sweden strikes again. (When isn’t that apt? Never.)

 

2. La Roux – Tropical Chancer

So many layers of pop genius here. This marks the third song that La Roux has released from her brand-new album, and it’s the third monumental track. “Tropical Chancer” sounds like a juggernaut now, and I believe it will hold up as one just like so many of the songs on La Roux’s debut have five years later. What an ear for absolutely perfect melodies and layers Elly Jackson has. The track earns bonus points with me for the subtle but amazing flute (flutish?) flourishes at 2:48. I’ve not an iota of doubt that “Tropical Chancer”, both the song and the album, will be among the best of the year in both categories.

 

1. Jessie Ware – Tough Love

For the longest time, I had La Roux’s “Tropical Chancer” as my favourite song of June. I listened to it a tonne, and found so many great layers to bask in. It’s a commanding, multi-layered pop masterstroke.

But I felt something different for “Tough Love”. I felt, after only a couple listens, like I was experiencing one of the songs of the year — a new school soul-electro-pop smash supported by shimmering, pristine, jaw-droppingly gorgeous production. I felt like I could see a part of Jessie Ware’s essence floating in, around, below, and above “Tough Love”. I felt like I could hear her spirit — decimated but unfathomably resilient in the hea(r)t of a tumultuous fire — crawling all over this sultry, sizzling, sexy track. Maybe more importantly than that, I think the power of this song tattooed something on me: a reflection, a foil, a consideration, a commiseration.

I can’t quite put my finger on it, and I’m not sure when or if I’ll be able to. That’s called “Tough Love”.