march

Top 20 Songs of March 2014

Here’s my list of the songs I played and enjoyed most in March. It was a sensational month for new music.

20. Trust – Capitol

 

19. Babymetal – Gimme Chocolate

Thanks for the heads up on this one Marc. It was only a matter of time until someone culled together (K)-Pop and Metal.

 

18. Isle of Rhodes – Oceans

 

17. Lily Allen – Air Balloon

Immeasurably better than “Sheezus”.

 

16. Lykke Li – Love Me Like I’m Not Made of Stone

I love this tune, her voice, that she may be the Swedish Lady Gaga, or actually Lady Gaga (google it; the resemblance is uncanny).

 

15. Foals – Providence

Yes, “Providence” has been out for quite some time, and yes, it wasn’t an early favourite — nothing grabbed me quite like “My Number” and “Inhaler” did at first. But the more I listened to this tune, the more I loved it. There’s a chance it’s the best song from their Holy Fire album. The build-up is absolutely stunning.

 

14. Beyonce – XO

Another tune that’s been out for a little while. I listened to “XO” quite a bit in March, and it never got old. On the short list of best songs B has ever done.

 

13. Chvrches – Do I Wanna Know?

This is a thrilling cover. It’s wildly different that Arctic Monkeys’ original, which puts it in a different class from most covers that play things safe. It’s the best of the plethora of covers Chvrches have released in the past year or so, and I think it’ll go down as one of my favourite covers of 2014. Chvrches show no signs of letting their dominant pop grip go.

 

12. Maximo Park – Brain Cells

I gave several other songs on Maximo Park’s latest album more time than “Brain Cells”. It was a mistake to overlook it. It’s so, so slick, and I really dig it.

 

11. Allie X – Prime

Pop music in the mainstream is hit or miss these days, as you’re just as likely to find a banger as you are a boring, rote tune. Residing on the periphery of the mainstream, though, are a bunch of exciting artists and songs that are yearning to break through and collect more ears. “Prime” is one such tune.

 

10. For BDK – What I Must Find

“What I Must Find” is another such tune. Dark, thoughtful pop done extremely well.

 

9. Hedley – Crazy For You

Simply, I think this is the best song Hedley have ever done. It’s super slick and eminently catchy. It’s Hedley gone Chromeo, and the vibe works wonders for the band.

 

8. Lorde – Team

“Team” beat me down with repeated listens. I thought “400 Lux” should’ve been Lorde’s follow-up single to her massive “Royals”, but after being bludgeoned over the head with “Team”, I can see why it was chosen as a single. It’s a bit more radio friendly, sunnier, safer than the darker “400 Lux”. ‘Tis a business after all.

 

7. Rudimental f. Emeli Sande – Free

Emeli Sande carries this slow-burning, electro-pop-soul song to the heavens. It gets better and better and better with each listen.

 

6. Jon Hopkins – We Disappear

This song is several months old, and one that I enjoyed last year. Only recently, however, have I truly experienced the depth, beauty, and soul-rattling feeling of “We Disappear”. It’s a rare occurrence for electronic music, especially a song with no vocals, to be doused with such emotion, colour, and humanity. That “We Disappear” so starkly accomplishes these things is testament to its wonder, to Jon Hopkins’ skill.

 

5. Coldplay – Magic

“Magic” is my favourite Coldplay song in many moons. Frankly, I didn’t think they had this type of tune in them. I’m wondering if this sets up a new era for the band; “Magic” has left me very intrigued with how their forthcoming album will sound. I love absolutely everything about “Magic”. The minimalist production (for the first three quarters of the song), the subtle aural tricks , and most of all, Chris Martin’s vocal — his best effort in eons — are all fabulous. Everything is so compelling here, I don’t even care how or why they chose this trick. Seeing is believing, but sometimes, listening makes sight a moot point.

 

4. Future Islands – Fall From Grace/A Dream of You And Me

I could write a kajillion words on how much I love Future Islands, how I think their new album, Singles, is absolutely brilliant, about what they make me think and feel, about Sam T. Herring, about how they’ve ensnared a whole legion of new fans, but for now, I offer, simply, the music…

Fall From Grace:

I dare you to not be mesmerized by this performance. Friendly advice: stick around after “Fall From Grace” to hear one of the best songs they’ve ever released, “Inch Of Dust” (another live powerhouse).

A Dream Of You And Me:

 

3. Tove Lo – Habits

“Habits” was number 20 song in my Top Songs of January list. I’ve played it ad nauseam since then, and I’m completely and utterly smitten. “Habits” is a massive, gargantuan hit. It’ll go down as one of the best (pop) songs of 2014. Sweden strikes, yet again.

 

2. Sam Smith – Nirvana

“Nirvana” is a song from the latter half of 2013 that I found a couple months ago and threw in a playlist, not remotely knowing what I hand in my hands, what the song had in store for me. I think “Nirvana” is just perfect. The melody, musically and vocally, is beyond top-flight. The lyrics are simple and extremely powerful. And then there’s the real bread winner, Sam Smith’s haunting, immense, voice. It took a few listens, but once I’d really, actually, listened to “Nirvana”, I knew that the world had been gifted its next superstar singer. I’m not sure I’ll ever love another Sam Smith song like I love this one, but the wonderful thing is, I’m not pulling anything off the table with this guy. He has the talent to concoct an album-of-the-decade type of release. My interest has been piqued by the voice of this freak.

 

1. Future Islands – A Song For Our Grandfathers/Sun In The Morning/Back In The Tall Grass

A Song For Our Grandfathers:

What can I say? How about this… Amidst the stunning, jaw-dropping, bunch of tunes Future Islands have released over their four albums, “A Song For Our Grandfathers” could be their most important. It’s a slow-jam rife with emotion, an ode to family, to the yin yang of reflection and action. The ideas within are always and fundamental, of and for life. This is a pantheon track, not just for Future Islands, but for 21st Century music. This is not post-wave, dad-rock, synth-pop, or Indie. This is art. The best of it.

Sun In The Morning:

This tune is absolutely gorgeous. I don’t want to be reductive about it, but it’s great enough to be a wedding song. I think it may be bigger than that. It’s about love. It’s elemental.

Back In The Tall Grass:

I think “Back In The Tall Grass” is the most immediate, singlely (new word alert) song on album that’s called, and filled with, Singles. I heard it live a few months back for the first time, and it had me weak-kneed from the jump. There is no type of sound or style that Future Islands can’t do, no type of banger they can’t create with aplomb or a plum. Seriously, at this point, I’m not sure how they do it. But then again, when you’re the best band in the world, you should retain some sense of mystery about how you conjure your spells. It’s not my job to question, it’s my job to get down and dance.

My Top 15 Songs of March 2013

March was absolutely loaded with fantastic music releases. So good, in fact, that I’ve had to expand this list’s belt buckle to accommodate the supersonic songs that were dropped in March. Here are my favourite songs of March, 2013…

Honourable mention:

Little Daylight  – Overdose

Phosphorescent – Song For Zula

Phoenix – Entertainment

Wildlife – Dangerous Times

Atlas Genius – If So

Yeah Yeah Yeahs – Sacrilege

Young Galaxy – Fall For You

Pickwick Hotel – Hacienda

Puscifer – Breathe

How To Destroy Angels – Too Late, All Gone/How Long

List:

15. Kisses – The Hardest Part

Fresh, summery, potent.

 

14. Plumb – Say Your Name

Pure pop and pure exultation to the altar of melody.

 

13. Alabama Shakes – Always Alright

A really, really, really good tune on record. Live, as seen/heard below, it jumps up several levels; a hypnotizing beast.

 

12. Emeli Sande – Next To Me

I’m extremely late to this party. I don’t care. “Next To Me” is a wonderful pop tune, lyrically, musically, vocally.

 

11. Purity Ring – Grammy

A Soulja Boy cover. And it’s bloody brilliant. Better than the original.

 

10. The Postal Service – A Tattered Line Of String

Welcome back boys. An elevating, elastic earworm.

 

9. Youth Lagoon – Mute

A slow-motion merry-go-round of a song. It’s 6 minutes, but when I listen to it, I feel like I’m lost in it for hours.

 

8. Wavves – Demon To Lean On

Wavves are back with hooks piled sky high. Outlandishly catchy. They’re on to something big here.

 

7. Surfer Blood – Demon Dance

I dedicated March to demons and loved every second of it. Hot seat, cool breeze.

 

6. Daft Punk – The Robot Makes It Get Funky

In a month of supernova releases, it took Daft Punk all of 15 seconds to find themselves (high up) on this list. 15 seconds. I shouldn’t have expected anything less from the Teachers. Imagine if it were a full track? The robot makes it get funky — always.

 

5. We Are Wolves – Sun

Out of nowhere. “Sun” doesn’t sound like anything else, and that’s only part of what makes it so incredible. Hooks so plentiful you’d think it was Marc Jacobs’ closet. I hope this song finds the ears it deserves — it’s incredible.

 

4. Chvrches – Now Is Not The Time

One after another after another after another. Hit after hit after hit after hit. Yawn. Chvrches are doing pop like no one else, and they’re also doing it better than anyone else. Pop saves lives when it’s this good, it’s just so elusive to get to this point. What Chvrches have done thus far in their short but incredible career is not music-by-numbers, but music-by-magic, the hardest trick in the book to pull off. I’m flabbergasted, amazed, and preaching, part of the choir, already and vehemently, loyal to my Chvrch.

 

3. The Dream – Slow It Down

The Dream is an uber-successful producer. He’s written hits for so many. He smartly saved this massive hit for himself. The whole song is one entire hook. It’s hard for a song to get more pleasant to the ears, but when he says, “enough with the muthaf***ing dance songs, you gotta slow it down,” he’s criminal, vicious. Fabolous is also fantastic on his guest verse.

 

2. Biffy Clyro – The Thaw/Biblical

What a statement. I’d quite liked “Many of Horror” and “Bubbles” from Biffy Clyro’s last album, Only Revolutions, but hadn’t known much else from their catalogue. Things have changed. Their new (double) album, Opposites, has forced itself upon me with such relentless vigour. Biffy Clyro are a special band, and they’re going for the title belt with this record. The album is so good I could isolate at least 10 tracks worthy of praise, but I’ve listed the two that I’ve listened to most. “Biblical” is a fantastic single, and will play as part of encores in huge arenas. “The Thaw” is just as good, endlessly catchy and emotionally resonant. Scotland is on fire.

 

1. Justin Timberlake – Mirrors

The one song that stands above the rest on The 20/20 Experience. “Mirrors” is an aural epic, and it gets better with every listen. It’s the only outright “hit” on the album. It’s too bad that’s the case, but as a standalone track, it’s one of the best JT’s ever done.