Top 100 Songs of 2011 (Honourable mention & 100-76)

2011 was replete with an abundance of fantastic music. I’d be remiss if I didn’t mention the tunes that were good but couldn’t find a place in my Top 100. Here they are…

Honourable mention:

Alex Turner – Piledriver Waltz; The Pains of Being Pure at Heart – Belong; Daft Punk – Fall (M83 vs. Big Black Delta remix); Honeychild – The Owl; Martin Solveig f. Dragonette – Hello; Wild Beasts – End Come Too Soon; Joker – The Vision; The Antlers – No Widows; Gang Gang Dance – Adult Goth; We Are Augustine – Chapel Song; Frank Ocean – Swim Good; Lady Antebellum – Just a Kiss; Jennifer Lopez f. Pitbull – On The Floor; The Strokes – Under Cover of Darkness; Cold War Kids – Bulldozer; Cage The Elephant – Aberdeen; Desire – Under Your Spell; Radiohead – Lotus Flower; Wye Oak – Civilian; Tune-Yards – Bizness; Junip – White Rain; Beady Eye – The Beat Goes On; The Naked & Famous – Girls Like You; Patrick Wolf – The City; Crystal Fighters – Home; Blue October – The Feel Again (Stay); Lights – Toes; Evanescence – Lost in Paradise; Hot Chelle Rae – Bleed; Fefe Dobson – Can’t Breathe; The Sheepdogs – I Don’t Know; Jay-Z & Kanye West – No Church in The Wild; Emmy The Great – Paper Forest (In The Afterglow of Rapture); Jessie J. – Price Tag; Karen O., Trent Reznor & Atticus Ross – Immigrant Song; Ellie Goulding – Lights; KO – Moving Mountains; The Script – Science & Faith; Into the Clouds – The Sound of Arrows; Foster the People – Waste; AWOLNATION – Sail; The Death Set – I Miss You Beau Velasco; The Chemical Brothers – Escape 700; Baden Baden – 78; Armistice – City Lights Cry; Buck 65 f. Jenn Grant – Paper Airplane; Rainbow Arabia – Without You; Hooray For Earth – Comfortable, Comparable; Astral Rejection – I Set My Friends on Fire; Iamamiwhoami – T; The Get Up Kids – Pararelevant; Active Child – Playing House.

If that cracking collection of songs couldn’t fit into my top 100, those that did must be pretty monumental. They are…

100. The Japanese Popstars – Song For Lisa

Dance-tastic, flighty and levitating. Watch your head.

99. Shakira f. Pitbull – Rabiosa

If you don’t like this song, Pitbull will bite you en la boca. I’m not taking that chance, thanks. If it were Shakira on the other hand…

98. Pitbull f. Ne-Yo, Afrojack & Nayer – Give Me Everything

If you don’t like this song, Pitbull, Ne-Yo, and a couple other cats will bite you not only en la boca, but also en el cerebro; again, call me risk averse, but I’m willing to err on the side of caution and avoid the possibility. Just grab somebody sexy, tell em hey!

97. Chris Brown – Yeah x3

Chris (Blonde a la Demolition Man Wesley Snipes) Brown hits wicked hard on this song. He hits three things undeniably hard: his vocals, his dance moves, and, um…I’m forgetting the last thing.

96. Grouplove – Betty’s Bomb Shell

Just has that je ne sais quoi. A tranquil jaunt down memory lane.

95. Monarchy f. Rokhsan – I Won’t Let Go

Surprisingly affecting for a relatively simple dance-pop song. I hear a bit of Hot Chip, Gabriel & Dresden, and Chris Isaak in “I Won’t Let Go”. Quite the mix. Ears, transfixed.

94. Creature – So High

Blondie meets Dragonette meets a lingerie photo shoot. What’s the address?

93. USS – Prefontaine/Yo Hello Hooray (Everyday)

Ash Boo-Schultz and The Human Kebab deliver again on their nostalgic sojourn of an EP, Approved. USS have the gift of inane gab, constructed carefully in their secret sonic lab. Always fun.

92. The Sounds – Yeah Yeah Yeah/The Best of Me

Sweden, Sweden, got me believin’, that melody’s a gift you be constantly thievin’.

91. Panic at The Disco – Memories/The Ballad of Mona Lisa

Their latest LP Vices and Virtues, was wildly surprising for its depth of quality. Cast as write-offs from the long since dead emo era of the early aughts, PATD have quietly matured into a really good band. Highlighting their well-honed sense of melody and songcraft, “Memories” and “The Ballad of Mona Lisa” are instantly gratifying.

90. Arctic Monkeys – Suck It And See/Love is a Laserquest

If you don’t believe me, suck it and see for yourself. I’ll just go ahead and put you down in the ‘yea’ camp. It’s rather amazing how good Arctic Monkeys have become at making music, how comfortable they sound in their own skin.

89. Geographer – Kites (Limousines remix)

One of the most obscure songs of the year, “Kites (Limousines remix)” hand-glides around the sky with nary a care in the world. It’s not coming down any time soon.

88. Yellowcard – The Sound of You and Me/For You and Your Denial

Yellowcard are back and masters of their domain. Both “The Sound of You and Me” and “For You and Your Denial” are relentless smashes.

87. Charlie XCX – Stay Away

Rambunctious, raucous, trapping pop. Nothing less.

86. When Saints Go Machine – Kelly

Weird, catchy, body-propelling, fantastic. When Saints Go Machine is part Depeche Mode, part Antony Hegarty (specifically “Blind” with Hercules & Love Affair), part feral cave-dweller and disco head-bopper. An engaging confluence indeed.

85. Vanbot – Maybe

“Maybe” is literally unsure, but at its heart, it consoles and cajoles. Vanbot and Young Galaxy are kindred spirits.

84. Austra – Darken Her Horse/The Beast

Two staggering tracks from Austra’s debut record. “Darken Her Horse” is focused and sharp. “The Beast” is tender and plangent. Whoa — what an effort.

83. D-Sisive – No More Words/#1 Record

Nothing in hip-hop moves me much anymore — wait a sec, hold the phone. Toronto rapper D-Sisive obliterated my ideas on the genre with his amazing Jonestown 2: Jimmy Go Bye Bye LP. This man has a voice and he intends to use it. A special lyricist with some thunderous beats.

82. Noel Gallagher’s High Flying Birds – AKA… What a Life!/AKA… Broken Arrow

What a comeback. Noel’s still got it — in spades. Both “AKA” tracks are phenomenal. That Noel has come up with so many compelling melodies over the years is kind of unbelievable. At this point, I think he might be a sorcerer. In fact, let’s take out the might. He is clearly a sorcerer. And I’m elated to be under his spell.

81. Florence & The Machine – No Light No Light

One of the standout tracks from the formidable follow-up LP, Ceremonials, “No Light No Light” is a regal slice of pop buoyancy.

80. Ladytron – White Gold/Melting Ice

Featuring the typical Ladytron sound, “White Gold” and “Melting Ice” carry extra brawn, making them impossible to resist. Bulking up (sans HGH) suits Ladytron well.

79. Lady Gaga – Marry The Night/Born this Way/Judas

The beats are supple, boisterous, and resilient; the hooks are epinician, diligent and aplenty. Gaga is The Queen of Pop, but also The King, The Prince, The Princess, The Court Jester, The Soothsayer, The Witch, The People, and The Dominion itself. We’re at her beck and call and I’m ok with that.

78. Blink-182 – Ghost On The Dance Floor/Snake Charmer

From their solid comeback album, Neighborhoods, “Ghost On The Dance Floor” and “Snake Charmer” are rife with might, vigour, and urgency. The perfect mix of Angels and Airwaves and +44. What do you know, that equals the new Blink-182. It was always going to happen this way.

77. Manchester Orchestra – Leaky Breaks

A redoubtable song at peace with itself. “Leaky Breaks” is considerate and reflective; the guitars canoodling with the casual beat at every turn. A pensive song. A baby-making one too.

76. Neon Indian – Polish Girl

How does one put the essence of an entire culture and sexual orientation into a song? Sounds kind of biggoty. I’m willing to cut Neon Indian some slack though; this song is elusive and fanciful. Too many influences to mention here. The end result is startlingly good.

The Helio Sequence Bequeath Hits at Horseshoe Tavern

Writhing in unexpected abdominal agony. Paranoia from abounding, multiple-voiced shrieking. Being speed-of-sound shot into a field of ferocious chrysanthemums and frenetic Criss Angel stunts. All of these things are completely and immeasurably opposite of The Helio Sequence experience. And experience – in life, in concert, in technicolour amazement – cannot prepare you for the staggeringly and stags-roam-free brilliance of two amazing musicians: lead singer/guitarist Brandon Summers and Drum-fill decathlete Benjamin Weikel.

From the first notes of the heart-wrenching lullaby of a lament, “Lately”, legalities become obsolete and like a leopard’s luminous eyes, you are drawn in, shocked and oblivious to the pounce. Questioning your whereabouts and forgetting your name, you are held prisoner during “The Captive Mind” by a clairvoyant call to arms, and as “you tried to leave the past behind,” the band catches those likely to “come back again.” Come back again?! You could never leave. Not as the unrelenting, never-mind-rent-is-pricey drumming of Sir Weikel continues to decimate your ears with eagle-like precision, inhuman energy, and masterful technique. And yes, I just knighted Ben Weikel, and no, I can’t really do that seeing as how I’m neither British, nor the Queen (props Queen E II), but she’s been informed – and she can’t deny it.

At this point, the music marches on, and dazed by a deliberate dare, your lips level apart in time and you gaze upward at 45 degrees and sing 45 pleas of “Hallelujah, we don’t want answers anyway.” Answers are irrelevant and time’s laced with merriment as the music loops and magnifies that a defiant act is defined here and now. I hear a POW. I feel a BLUDGEON – filled with hope, I cope with transcendence in its purest form. The artistic process is winning; the muck and drudgery are spinning – so far into the ground it becomes untraceable to hounds.

Transitioning, I learn to keep my eyes ahead and fall to familiar sounds; The Helio Sequence coming on like you knew they would, but I’m still ill-prepared to deal with the resulting machinations of such a propulsive illusion.

Was it illusion? Was it ethereal? Was it destined? It was cohesion. It was relevance. It happened. It had to…

To isolate “Lately”, “The Captive Mind”, “Hallelujah”, and “Keep Your Eyes Ahead” as the sole standouts of the experience may be accurate, however unfair to the front-to-back magnificence of the rest of the set. “Can’t Say No”, “Shed Your Love”, and “Everyone Knows Everyone” also provided pressurized, pungent whiffs of awesomeness while introducing a Helio Sequence neophyte to some (hidden) gems.

At their core, The Helio Sequence are a band with a seductive spirit, an attention to lyrical detail and song-after-cot-damn song of explosive possibilities. And oh yeah, the singer, Brandon, is knucking-futsish in his tone and delivery while Sir Weikel holds his sticks with a grit so beguiling you’d attest that he’s wiling. He infuses the songs with such a manic detail that they seem alive before inception, as if they were conceived during a fit conniption of a prodigious kind.

Like eating angel cake with Hades, The Helio Sequence are a true confluence of the exponentially unexpected. Sermon: served. Choir: preached to. We all said Hallelujah!

(Originally published May 29th, 2008 on the MuchMusic website)