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Top 100 Songs of 2012 (50-26)

50. a) Perfume Genius – Awol Marine/17/Normal Song

I am drawn to Mike Hadreas. His music is a subdued, sad, lovelorn fragrance. His singing/music is grace inherent. His stage presence is utterly magnetic — you just can’t take your eyes away from him. A unique star.

50. b) Miguel – Use Me

Miguel’s vocal bleeds passion. The music bleeds sex. The hooks never end. What a great song.

49. Maximo Park – When I Was Wild/Reluctant Love/Banlieue/This Is What Becomes Of The Broken Hearted/Unfamiliar Places/Hips and Lips/The National Health

So yeah, I’ve listed a millions songs of theirs here. Not my fault. They continue to be viciously, criminally underrated. Everything they touch is gold. One of the most consistent bands of the last ten years. It’s clear they take their craft extremely seriously, yet still, there is a vulnerability, a workmanlike sensibility that’s always present, and it gives the melodies and lyrics that much more heft. Outstanding yet again.

48. a) M.I.A. – Bad Girls

The older, wiser, sexier cousin of “Paper Planes”. Super catchy. Super badass. M.I.A. has never had more swagger than in the video for “Bad Girls”.

48. b) The Helio Sequence – December/Downward Spiral/One More Time/Hall of Mirrors

Brilliant. All of it. The Helio Sequence are an unparalleled treasure.

47. Wintersleep – Nothing Is Anything (Without You)/In Came The Flood/Zones

Brilliant. All of it. Wintersleep are an unparalleled treasure. They, like The Helio Sequence, are quarks, pieces of energy, here, there, everywhere.

46. The Weeknd – Wicked Games

What a statement by the Weeknd. “Wicked Games” is desperate, angry, pleading. Most of all though, the song is about Abel Tesfaye’s voice — he might have the best voice in contemporary music — and he uses it here to devastating effect.

45. Hot Chip – Motion Sickness

My favourite song on the London lads’ latest LP In Our Heads. “Motion Sickness”, the album opener, spins on heads and loops on threads, the result being a basket of warm-buttered bread. I love the witty wordplay, Alexis Taylor’s vocal, and that super-fun dance-pop beat. Another highlight in a career that’s increasingly chock-full of them.

44. The Temper Trap – This Isn’t Happiness/The Sea Is Calling

“The Sea Is Calling” caught me right away. It’s a brilliant tune that flows in waves of serenity and melody. “This Isn’t Happiness” took a while longer to catch me. Now — I’m hooked. The lyrical sentiment is poignant, and all components of the music work wonderfully together. And again, Dougy Mandagi is fantastic on vocals. A rising power of a band. The live version of “This Isn’t Happiness” featured below is jaw-droppingly good.

43. a) Big Boi f. ASAP Rocky and Phantogram – Lines

What a beat. Big Boi brings the bacon back home yet again.

43. b) Crystal Castles – Affection

My favourite song on III, probably the best and most accessible one on the record too. Replete with soft vocals, driving, massive synths, and beat to bet your bottom dollar on.

42. Alt-j – Taro/Matilda/Fitzpleasure/Tessellate

From a startlingly good debut album, these four tracks represent a band mixing several disparate styles into a pot-luck that’s unabashedly fresh, unique, and delicious. Alt-j (government name) can go soft or hard, with electronics or old-school guitar driven riffs. A singular talent has burst onto the music scene, demanding attention. They’ve sure as heck got mine.

41. Metric – Youth Without Youth/Speed The Collapse/Nothing But Time

Not much more to say than they do it every single time. They’ve never released an average song or album, let alone a bad one. I adore the way they construct their particular brand of pop-alt; it’s always unique, always comfortably Metric. “Youth Without Youth” is an awesome lead single, with a drum beat to crack skulls and conquer huns.

40. Silversun Pickups – Bloody Mary (Nerve Endings)

Neck of The Woods is a detour of a record for The Pickups, an experiment if you will in moody, frazzled, horror alt-rock. Clean and direct hooks take a back seat to the mood — except on “Bloody Mary”, a song that bridges their new sound with older (and awesome) Silversun offerings.

39. Stars – Hold On When You Get Love and Let Go When You Give It

Might be the best song they’ve ever done. Short form title = Hooks Galore.

38. Father John Misty – Hollywood Forever Cemetery Sings

A pounding, melodic statement from ex-Fleet Foxes member Joshua Tillman.

37. a) Japandroids – The House That Heaven Built

The alt-rock anthem of the year? Yeah, probably.

b) One Republic – Feel Again

I kept hearing this song and eventually realized the hook is really hard to shake. Ryan Tedder is master at crafting catchy, contemporary pop.

36. a) Trust – Bulbform/Shoom

Toronto’s foremost rapscallions of 2012. I don’t want to parse “Shoom” and “Bulbform” too closely. They’re both dark, brooding, mysterious, otherworldly, and catchy as catnip to cats. I really dig the video for “Bulbform”, featured below.

36. b) The Raveonettes – Into The Night/Young and Cold/The Enemy

The Raveonettes have been consistently releasing quality records for a long time now. They have a completely unique style and their MO is always engaging; their 50’s/60’s style melodies/lyrics/structure, wrapped ever so tightly in ethereal reverb and distortion, is always compelling. The Raveonettes are a wondrous gem.

35. Calvin Harris & Florence Welch – Sweet Nothing

It was only a matter of time before Florence had a massive dancefloor smash; her biggest strength is that her dynamic voice is malleable with any type of sound, and propulsive synthy dance music happened to be an area she’d hitherto left unexplored. Calvin Harris is extremely lucky he got to her first.

34. a) Polica – Lay Your Cards Out

Sexy. Patient. Cunning. The bass and drums conspire to make this a truly special tune.

34. b) Bastille – Bad Blood

The chorus clasps like a car crash to a caboodle.

33. Skrillex – Summit/Bangarang

For as much of a backlash as the Skrillman has seemed to garner over the last little while, he’s actually incredibly adept at making pop songs. “Bangarang” wears its influences on its sleeves, and is great because of it. I bet Skrillex had an awesome time making that tune; fun is its DNA. “Summit” is another pop smash, chopping and screwing Ellie Goulding’s vocals over a six-minute synth serenade.

32. Stepdad – Must Land Running/My Leather, My Fur, My Nails

I’m so glad I found Stepdad. They make me feel good. “Must Land Running” is the more straightforward of the two; blessed with shimmering production and a monster truck of a chorus. In the Sombrero galaxy, “My Leather, My Fur, My Nails” is the inter-planetary #1, and has been for 50 years.

31. Taylor Swift – Begin Again/All Too Well

From an album rife with pop behemoths, “Begin Again” and “All Too Well” stand out above the rest. She will not make a better album than this, and her forays into different sub-genres of pop will not ever go as smoothly as they do here.

30. a) Michel Telo – Ai Se Eu Te Pego

How do you say fun in Portuguese? Oh right, Ai Se Eu Te Pego. A deserved world-wide smash; pop music doesn’t get more joyous than this.

30. b) Mumford and Sons – Below My Feet

My favourite song on Babel. Simply, a classic Mumford and Sons song, a connecting, heart-wrenching, fist-pumping anthem.

29. City and Colour – The Grand Optimist

Wow. By miles and days and eons or any other measure, the best song on Little Hell. Mr. Green has always seemed to have a knack for releasing personal, poignant stuff, but “The Grand Optimist” is a different beast altogether. It’s a soul-rattler. The dynamic shifts in the song are beyond striking, and the lyric is haunting.

28. The Tragically Hip – Man Machine Poem/Now For Plan A

After 30+ years, they’re still going so, so strong. It’s unfathomable really. But then again, we are talking about Canada’s best band ever. I’d say the band has had a renaissance of sorts over the last two albums, We Are The Same, and Now For Plan A, but that would imply that they were at one point average, a patent falsehood if there ever was one. “Man Machine Poem” is beguiling, with hooks at every bloody turn, buoyed by Gord Downie’s incredible, gale-force-power vocals. “Now For Plan A” is pure, serene, lovable, reflective — beautiful. The harmonies and call and response exchanges with the female vocalist are downright magical.

The Tragically Hip – Now For Plan A

27. a) Icona Pop – I Love It

One of the best party songs of the year. A perfect summer song. Sweden strikes again.

27. b) Gossip – Move In The Right Direction/I Won’t Play

Beth Ditto is a one of a kind voice and presence. She and her bandmates have built a really solid catalogue of songs, culminating in the extremely accessible A Joyful Noise. “Move In The Right Direction” and “I Won’t Play” are fantastic pop-alt tunes.

26. Scissor Sisters – Let’s Have a Kiki/Somewhere

Question: What’s the music video of the year? Answer: the one for “Let’s Have a Kiki” (featured below). I’m saddened to say “Kiki” didn’t link with me initially. It took me a while to feel its hooks in my bones. Once I did, I locked the door (tight) and had the biggest Kiki one could ever imagine. There was diving, turning, working all over the damned place — and I couldn’t have been happier. “Somewhere” is the ace-in-the-hole, the dance-pop smash of the album.

Top 100 Songs of 2012 (100-76)

Pop goes 2012 (or 2012 goes Pop, depending on your syntactical druthers) is one accurate way of describing the musical zeitgeist of the year. Like I always do, and have done since as long as I can recall, I’ve Embraced The Pop. From unadulterated teeny-bop pop, to sax pop, to Spurs’ Coach Pop, to soda pop, to synth pop, there’s been a tonne of pop to get cozy with recently. And the revelatory thing is that much of it has been really, really good. I can’t recall a year where so many “designed to hit” pop songs have been fantastic. Sure, some pop, maybe a whole bunch depending on the platform(s) from which you get your music, is lifeless and dull and space-clogging shite. But that goes for all music really, and of all forms of pop culture too. It saddens me a little that many people choose to focus on trite pop and paint the entire genre (or amalgam of sub-genres as it were) with an unnecessary-, superfluous-coloured brush. I love reading lists, and seeing what other people have found great in a given year, but it strikes me as uninteresting at best and dishonest at worst when lists that purport to be the “best of” an entire year make a point of ignoring so much from the jump. A great song is a great song, and can be so for a variety of reasons. My list is welcoming to all types of songs; I’ll take your coat, but you’ve got to bring your own hooks if you want to come inside.

2012 has been such a good year for music (the best I would say since I started thinking about listing songs back in 2006), that I’ve had to tweak the rules a little bit to shine a light on all the songs that deserve to have a light (however small) shone on them. I’ve decided to make my 2012 list The Year of Partnerships, or as 1997 would say, collabos. As such, many songs on this list have partner songs, just so I can fit in all of the year’s goodness without hating myself, so “Top 100” is a loose directive that’s massaged a few times during the proceedings. As far as the actual rankings go, the process was almost like throwing darts. A song that ranked in the 90’s could be argued for in the 20’s, and a song in the 60’s could be a top 10 song in another year. But this is not another year, this is 2012, the year where Psy Gangnam-Styled his was into our hearts and ears, Mitt Romneyed his way into a solid 2nd place finish, Usain Bolted his way onto golden Olympus Mountain, Cats cemented their role as world policy deciders and undisputed internet champions, Felix Baumgartner jumped off the top rope for a massive Jimmy Superfly Snuka flying elbow, and the world ended in a Blaze of Glory, just like Bon Jovi Nostradamused, twenty-something years ago… which brings me back on point — I want to get this list out before literally, Pop Goes The World (http://www.youtube.com/watch?v=3zUUtf7gOe8)

Here is the first part of my Top 100 Songs of 2012 list, beginning with tracks that fell just short.

Honourable mention: Alanis Morisette – Empathy; Alberta Cross – Lay Down; Animal Kingdom – Strange Attractor; Ben Howard – Only Love/Esmerelda; Boys Noize – Got It (f. Snoop Dogg/OS Snoop Lion); Breton – Jostle; The Boom Circuits – Everything and Nothing; California Wives – Purple; Chrome Canyons – Generations; Danny Brown – Grown Up; Eels – Peach Blossom; Flo Rida f. Sia – Wild Ones; Fun. – Some Nights; Future Islands – Crish (Javelin remixxx)/Cotton Flower; Green Day – Let Yourself Go/Fell For You/Wild One/Amy; How to Destroy Angels – On The Wing; Julio Bashmore – Troglodytes; Kate Boy – Northern Lights; Katy B. – Anywhere In The World; Kesha vs. The Beatles – Tik Tok Together; Lana Del Rey – Body Electric; Lawrence Arabia – Apple Pie Bed; Lifehouse f. Natasha Bedingfield – Between The Raindrops; Lioness – The Night; Linkin Park – Burn It Down/Castle Of Glass; The Lumineers – Ho Hey; Mac Miller – Donald Trump/Knock Knock; Madonna – Gang Bang; Major Lazer – Get Free; Maps & Atlases – Important/Fever; Morning Parade – Youth/Headlights; Mother Mother – Let’s Fall In Love; MYPET – Pays To Know; The Neighbourhood – Sweater Weather; Nicki Minaj – Freedom; One Direction – One Thing/More Than This/I Wish/Tell Me A Lie/Stole My Heart; Our Lady Peace – Heavyweight; Parade – Light Me Up; Passenger – Let Her Go; Phantogram – Don’t Move; Plants and Animals – Lightshow; Purity Ring – Obedear; Red Hot Chili Peppers – Magpies On Fire; Santigold – Disparate Youth; Six Organs of Admittance – Hold But Let Go; Schoolboy Q – There He Go; The Tallest Man on Earth – Leading Me Now; Tame Impala – Feels Like We Only Go Backwards; Tomas Barfod f. Nina Kinert – November Skies; The Tragically Hip – At Transformation/About This Map; Twin Shadow – Five Seconds; Villagers – Nothing Arrived; The Wanted – Glad You Came; Walk The Moon – Anna Sun; Yacht Club – Flash; Zammuto – YAY; Donkeyboy – Caught In a Life.

100. a) A.C. Newman – I’m Not Talking