Top 100 Songs of 2014 (40-26)

Self-awareness in 2014.

Self-awareness in 2014.

Massive, massive hits reside here. I think all of these tunes are phenomenal. My Top 100 Songs of 2014 (40-26):

40. Allie X – Bitch

A mesmerizing and distortion-fuelled pop gem. Contains one of the most representative-of-the-times lyrics of the year: “I’m your bitch, you’re my bitch, vroom vroom.” (Repeat ’til infinity, bitch.)

 

39. The New Pornographers – Brill Bruisers/Champions of Red Wine

For my money, the two best songs on The New Pornographers’ 6th full-length album. “Brill Bruisers” is a punishing pop-rock pulverizer. It’s catchy as all fuck too. The bo-ba-bo-ba-ba-bo’s are incredible. “Champions of Red Wine” is just… Neko. It’s always Neko, isn’t it? It is for me. Champions of red wine, red hair, red lips, red rum, and all levels of scarlet, crimson, vermilion, cherry, and ruby in between. Seeing red never felt so good.

 

38. Justin Timberlake – Not A Bad Thing

This song made my Honourable Mention list in 2013, but was released as a single in 2014, the year I really heard the tune, playing the shit out of it. It could be the best song on either 20/20 album, and that’d be an impressive feat, as there are a bunch of high quality tunes in the fold. I think JT does his best work when his silky smooth voice works over deliriously catchy pop tracks, and this is one such example.

 

37. Kendrick Lamar – I

Didn’t expect Mr. Lamar to go in this direction for his much anticipated follow-up. But that’s why he’s many people’s best rapper alive. Doing the unexpected and killing it every step of the way. “I” gets better with each listen.

 

36. Manchester Orchestra – The Mansion (Cope)/Cope (Cope)/The Ocean (Cope)/The Ocean (Hope)/Top Notch (Hope)/Indentions (Hope)

If I could only listen to six songs for an entire year and they were the following sextet, I’d be okay. These songs would comfort me, scold me, profess to me, demand of me. I’d need it. I’d want it. I’d have it. I have it. Thank fucking god.

Manchester Orchestra produced the best rock music of anyone in the world in 2014. I believe this and I don’t have an inkling of doubt about it.

That six (6!) fucking Manchester Orchestra songs have placed this high for me in a year with so many good songs is a testament to how incredible their output (two amazing albums!) was in 2014. And oh yeah, I’m not even close to being done listing them on the Top 100…

 

Bonus: Marc Anthony – Vivir Mi Vida (from 2013)

Discovered it in 2014. Amazing interpretation on an all-time melody.

 

35. Kyla La Grange – Cut Your Teeth

I like Kygo’s style of remixing. I really dug his take on this track. But I can’t understand why the remix seems to be more popular than the original, which is a slithering, sexy, deep cut of a chomper. One of the most under-appreciated, great pop songs of 2014. Super cool video too.

 

34. The War On Drugs – Under The Pressure

If you want to go to dream-land, this is your vehicle. If you want to take a trip to the best 60’s/70’s rock song to be released in 2014, this is your vehicle. If you miss Don Henley, this is your jam. If you want your boys to be of summer, this is the season. If you like foreplay and extended climaxes, this is your sex.

 

33. Bear’s Den – Sahara Pt. 2

It’s fucking criminal that this track/video has just 13k views on Youtube. It happens though. Things are missed. Not everything that deserves ears and eyes gets it. But this more than deserves it.

This is the sound of trekking an entire desert, and the relief that comes at the marathon’s end. The journey made you stronger, didn’t it? It made you feel alive, even when you thought you’d die. It has that power, and you’ll never forget it.

 

32. Royksopp and Robyn – Every Little Thing

Favourite song from Royksopp and Robyn’s delicious EP. An electro-pop banger of the highest order.

 

31. Beth Jeans Houghton & Samuel T. Herring – Pelican Canyon

Samuel T. Herring (of Future Islands) like you’ve never heard him before. His and Beth Jeans Houghton’s voices could not be more different, and they couldn’t fit more perfectly against, on top, and combined with each other. This song is from 2014, but it really sounds like nothing else, a sound out of time.

 

30. Wye Oak – Glory

By far, my favourite track Wye Oak has ever done. The verses, chorus, instrumentation, vocals: everything’s appealing. This song is an uncontained light, and everything is illuminated.

 

29. Night Terrors of 1927 f. Tegan and Sara – When You Were Mine

I discovered “When You Were Mine” relatively late in 2014 and I haven’t stopped listening to it since. It’s a mostly straightforward synth-pop-rock tune, but I find it so striking, beautiful, and attractive to my ears. Maybe it’s the lyric, maybe it’s the lead singer’s powerful voice, maybe it’s the amazing harmonies, maybe it’s Tegan and Sara. It’s all of it. And I love it.

 

28. Future Islands – Fall From Grace/Sun In The Morning/A Dream Of You And Me/Like The Moon/Doves

There’s no way I can separate any of these tunes. All five are awesome. From one of the best albums of 2014, Future Islands’ indomitable Singles.

“Fall From Grace”, the hunter, the incapacitating. “Sun In The Morning”, the eye-opener, the life-affirming, the daily reminder. “A Dream Of You And Me”, the ocean canvass, the brush-stroked clouds. “Like The Moon”, the chilly crescent , the mysterious deep sea dive. “Doves”, the cooing pleas, the will-you-please.

Future Islands, the time stoppers, the level jumpers, the artists.

 

27. Magic! – Rude

Overplayed, yes, but it doesn’t diminish the fact that these canucks wrote an impossibly catchy song. They’ll never top this one, but that’s okay, when you have something this good, you hold onto it and relish in it for all time.

 

26. Angel Olsen – Windows

I almost didn’t want to link the music video to this track. The song, and in particular, Angel Olsen’s harrowing, heavenly vocals, need no visual accompaniment. There’s a magic in her delivery, in those devastatingly simple words, “what’s so wrong with the light?” It is a good video though; if someone presses play on the link below and likes what they see, then it’ll have been reason enough to link the clip. But I don’t need it. All I need is to open a window, and let this melody disperse into the air, into the world. It will make things better.

Top 20 Songs of April 2014

For those that haven’t read one of my “Best Of” lists before, the reason why I do a tally of the songs I listen to most is because I can’t stop looking for new music, can’t stop attempting to feel the textures, shapes, and movements contained within (new) songs. Beyond that, I really enjoy sharing the music I discover and listen to most because I think these are fantastic songs that I wish to be heard by as many ears as possible. I know not everyone pursues (new) music with the same vigour that I do, so this is my attempt at being a curator, connector, reflector. Music is everywhere, but it’s sometimes in places you wouldn’t expect. To hear it, both in obvious and unfamiliar places, is to breathe sound.

20. Great Good Fine Ok – You’re The One For Me

This sounds like the beginning of summer. This is a good thing.

 

19. Kyla La Grange – The Knife

So obvious, the sonic and titular ode to Sweden’s finest brother and sister duo, but still, so good.

 

18. Gypsy & The Cat – Sorry

Fantastic group name. Delectable tune.

 

17. GRL – Ugly Heart

Super-catchy pop.

 

16. Movement – Like Lust

Music like this inspires movement. Movement comprised of shifting and swaying. At once cooing and decaying. Like taking a photograph of intimacy with a camera clouded by smoke. There’s something about the movement. Something like lust.

 

15. Beck – Blue Moon

I hadn’t liked a Beck tune since “Lost Cause”. “Blue Moon” changed that.

 

14. Blondfire – Kites

Pretty straightforward pop, but there’s something about it that draws me in.

 

13. Massari – What About The Love

His head kind of reminds me of shaved coconut doused with vaseline for ergonomic purposes, but I have to give the man credit, his last couple releases have been pop bangers.

 

12. Lady Gaga – Artpop

When I first heard her Artpop album, I focused on several other tunes and missed giving this one its due. Mistake rectified. This is another hit from the Haus of Gaga.

 

11. Tensnake f. Fiora – No Relief

Really, really, really like this tune. There’s something about the reserved but pleading vocal that meshes so well with the uncomplicated beat.

 

10. Bleachers – I Wanna Get Better

Sounds like a sun-bleached Vaccines song, and there’s absolutely nothing wrong with that. In fact, it’s fantastic.

 

9. The Horrors – So Now You Know

Extremely impressive effort from the English lads, from which I hadn’t heard anything since (the still great) “Still Life”.

 

8. Duck Sauce – NRG

Duck Sauce is a duo consisting of electro heavyweights Armin Van Helden and A-Track. Dance/Pop/House doesn’t get much more fun than this.

 

7. Dum Dum Girls – Too True To Be Good

Dee Dee Penny is a goddess. This is a wicked song from a teflon strong album.

 

6. Rita Ora – I Will Never Let You Down

Rita Ora’s new tune is a massive juggernaut. One of the best pop songs of the year thus far.

 

5. Future Islands – Like The Moon/Doves

Like The Moon:

Future Islands are so consistently brilliant that it was tough to give all 10 songs equal attention at first. I quite enjoyed “Like The Moon” from the first listen, I just gave more spins to other tracks. This is by no means representative of this song’s quality, as “Like The Moon” is astoundingly good. It’s sleek and sexy and groovy, and oh yeah, the jaw-droppingly good fan-made video culls together scenes from a 1981 Russian Sci-fi movie. Of course it’s perfect. It couldn’t have been anything else.

Doves:

My god, the gusto with which Sam T. Herring attacks this performance is incredible. “Doves” is yet another standout track from what I consider to be the album of the year thus far, Future Islands’ Singles.

 

4. The War On Drugs – Under The Pressure

There is something so endearing and nostalgic about “Under The Pressure”. It sounds like riding a Chevy pickup across the late 1980’s American Midwest. This song is a long-lost cousin of Don Henley’s “Boys of Summer”. That’s a family BBQ I’d love to crash.

 

3. Sam Smith – Stay With Me/Stay With Me (Rainer & Grimm Remix)

Stay With Me:

I had heard the song before, but I first truly heard “Stay With Me” when Sam Smith performed it on the Louis CK-helmed episode of Saturday Night Live earlier this year. I was immediately floored. Sam Smith is going to be a massive star and “Stay With Me” will be a big reason why.

Stay With Me (Rainer & Grimm Remix):

Amazingly, this remix is as good as the original. I have no doubt it’ll end up one of my top remixes of the year when 2014 is done.

 

2. Kyla La Grange – Cut Your Teeth

One of the best pop songs of the year, and I firmly believe it’ll stay that way. The come-in of the base-like synthesizer at 1:04 is devastating. The backing vocal that supports the hushed primary vocals is superb. There are hooks galore. The video is super cool too. This is a banger in need of no mashed. Kyla La Grange has a strong collection of tunes in her catalogue, but she deserves to break big on the back of this pop behemoth.

 

1. Future Islands – Spirit

My Top 20 Songs of March list contained several Future Islands songs. I could’ve made that entire list from everything on FI’s latest album, Singles. But I showed some level of restraint, the kind that a person whose name rhymes with Toranje knows not of, but the kind that a person whose name rhymes with Hay-Z knows all too well. Restraint is good. It allows one to shine a light on other wonderful pieces of music. And to avoid getting arrested for things that rhyme with Bromestic Chiolence.

Everything in its time. And April was the time I played Future Islands’ “Spirit” over and over, combing the track to the over. The song is absurdly catchy, and I love the low register Sam T. sings at in the opening couple verses. This could be a huge hit if given the right push, but then again, so could any song on Singles. I adore the lyric, “don’t cast away, don’t cast away, don’t let them cast a role for you…” In any font, on every front, Future Islands won, so sung the conch.