top 10

My Top 10 Songs of April 2013

March was such a good month for music it couldn’t help but bleed into April. I took my time getting to know March songs, taking them out for coffee, flirting with them, skirting the line of appropriateness between a guy and his songs, and before I knew it, the end of April had arrived and burst our little love bubble (April’s a killjoy, no wonder there’s always so much rain). As such, my list of the Top 10 Songs of April is heavily indebted to March, with a few new releases peppered in for flavour.

I also found myself listening to a few older songs — a lot. To shine a light on these tremendous older/oldish songs that captured my ears and attention so, I’ve made a mini list (directly below), and followed that with my favourite newer/newish songs.

Silversun Pickups – The Pit

The only song I found to be immediately and eminently gratifying on SP’s latest, Neck Of The Woods, was “Bloody Mary (Nerve Endings)”. It took months over months to finally click to the pretty awesome, brooding, and electronic-tinged “The Pit”. Better late than never.

 

Thee More Shallows – Oh Yes, Another Mother

From 2007, it’s still the number one song on Saturn’s Titan. Criminally overlooked here on Earth. A crying shame.

 

Pat Benatar -We Belong

Sing it Pat. Still sounds great almost 30 years later.

 

Green Day – Redundant

In my top 3 Green Day songs of all-time. Quite possibly the most vulnerable Billy-Joe’s ever sounded lyrically. Replete with an awesome, mind-funking video, featured below.

 

Biffy Clyro – Many of Horror

I’m convinced this is one of the best songs of the past five years. I’ve recently discovered that Biffy Clyro have a jaw-droppingly good back catalogue. Still, “Many of Horror” is their crowning achievement, and I bet it always will be. That riff. My god. (Check out the unbelievable live performance of the song below.)

 

Top 10 newish:

10. Demi Lovato – Heart Attack

It doesn’t break any new ground, but it’s catchy as hell. Good lead single in an ultra-competitive environment.

 

9. The Knife – Raging Lung

I’m still developing my thoughts on the incredible, difficult, political, dense, off-putting, personal, beautiful new Knife album, Shaking The Habitual. What I do know though, is that in such a (fracking) fluid environment, “Raging Lung” weighs the whole experience up (gravity does not apply in The Knife’s world) like an anchor. It’s a masterpiece, sure, but it’s also much, much more. I’m just not sure what else to call it. Exactly how The Knife want it.

 

8. How To Destroy Angels – How Long?

My favourite tune on Trent’s latest effort. I like it more every time I hear it. Mr. Reznor has a preternatural ability with synthetic sound.

 

7. We Are Wolves  – Sun

So flipping catchy. The explosion at the end seals it for me. I can say without pause this is and will be one of the best songs released in 2013.

 

6. Surfer Blood – Demon Dance

The guitar work. The melody. Sen-bloody-sational. I can’t seem to get enough of this song. Like its cousin (in name and vibe) below, it’s been on repeat for weeks and weeks.

 

5. Wavves – Demon To Lean On

Wavves have made a splash before, but they’ve never released a tsunami like the one they roll in on here. The guitar riff. The playful vocals. The sound of summer, and the sound of not giving a shit that it’s summer. The live version, featured below, from Letterman, is also a fantastic experience.

 

4. Psy – Gentleman

I wondered how in the world he’d follow up his ubiquitous, galactic smash. The answer is relatively simple: with something even bigger. “Gentleman” is so catchy he’s already blown way past any reasonable categorization as a one-hit wonder. He’s at two mammoth tunes and counting. And he looks like he couldn’t be having more fun doing it.

 

3. Muse – Panic Station

“Panic Station” is several months old now, but I’ve fallen so deeply for it only recently. I’d liked it before. Now I love it. Maybe it’s that it sounds nothing like anything else on The 2nd Law, or any other Muse song for that matter. Maybe it’s the unmistakable 80’s gitch. Maybe it’s the pomposity. Maybe it’s the guitar riff. Maybe it’s Bellamy. (It’s always Bellamy.) The whole proposition just got a shit-tonne more weird by the release of the absurd, hideous, car-crash-like, balls to the wall video, featured below.

 

2. Phosphorescent – Song For Zula

I would issue strong odds that “Song For Zula” will end up the most beautiful song released in 2013. Or maybe any year. I have such a voracious appetite for, and commit the time that I do to, finding new music because once in a while — once in a blue moon — something like this finds my ears. Simple, haunting, wondrous aural magic.

 

1. Daft Punk – Get Lucky

It was never going to be anything else. The kings are back — finally. And to boot, “Get Lucky” is unquestionably their catchiest/best song in over 12 years. The wait was unbearable. The joy is immeasurable.

My Top 10 Songs of February 2013

Here are the songs (mostly new, a couple from a while back) that I’ve been listening to most this February…

Just missed the cut:

Bastille – Requiem for Blue Jeans

Tegan and Sara – I Was A Fool

Clubfeet – Everything You Wanted

Frightened Rabbit – Nitrous Gas

Wave Machines – Ill Fit

The Top Ten:

10. Torres – Honey

A relatively sparse production, “Honey” hits where it hurts, right in the gut.

9. Feathers – Land Of The Innocent

Fantastic new pop song. Slightly dark, mysterious, and full of hooks.

8. Mother Mother – Bit By Bit

Just as strong as “Let’s Fall In Love”. These Canadian alt-pop-rockers have made a supremely gitchy tune in “Bit By Bit”.

7. The Neighbourhood – A Little Death

Really cool, sultry video accompanies this dynamite alt-pop offering.

6. The Lone Bellow – Bleeding Out

I wish there were a studio version of this tune available on Youtube to showcase how bright and compelling this sing-a-long stomper is. As it stands, this live version does just fine. Brooklyn’s answer to Mumford and Sons and Of Monsters and Men.

5. The Joy Formidable – The Leopard And The Lung

Epic. Monstrous. Gargantuan. “The Leopard And The Lung” is probably the best song on TJF’s new album Wolf’s Law. Its soft moments are sublime and its hard ones thrash through walls like Juggernaut’s metallic egg head.

4. Foals – Inhaler/My Number

“Inhaler” finds Foals rocking out more than they probably ever have — and they sound bloody fantastic doing it. For the life of me, I can’t let “My Number” go. It’s an entire song made up of hooks. Two sensational songs.

3. The Knife – Pass This On/A Lung/You Make Me Like Charity

In anticipation of The Knife’s new album (their first in seven years), I’ve been listening to their older stuff. “A Lung”, from their debut album, The Knife, is probably the most menacing song on the LP, a haunting harbinger of things to come on Silent Shout, and it’s incomprehensibly good. “You Make Me Like Charity” and “Pass This On” are both from The Knife’s second album, “Deep Cuts”. The former is an insane, tax-paying obsessed love letter that’s bathed in innumerable hooks. The latter is possibly the catchiest song The Knife have ever done (“Heartbeats” included — it’s close, who the hell knows). I’ve been obsessed with the video (link below) because it features the King and Queen themselves, Olof being the initial victim/dancer who falls prey to the siren’s song, and Karin, whose stoic gaze appears a few times in the video, most notably at the end in the final shot. I’m pretty sure Olof and Karin are the baddest people on the planet. No biggie.

2. Coheed and Cambria – The Hard Sell/Dark Side Of Me

This is alt-rock, and it’s funking fantastic. For me, Coheed and Cambria have never sounded this urgent, and they haven’t had songs as good as these since “A Favor House Atlantic”. “The Hard Sell” is ferocious yet innately catchy. A tough job, but one they pull off with ease. “The Dark Side Of Me” is slightly less ferocious, but more hopeless, more barren, more affecting. So surprised at the quality of these two songs; Coheed and Cambria have made a statement.

1. Chvrches – Recover

It took a few listens. At first, I thought Chvrches new song, “Recover”, was really good but not quite on par with “Lies” or “The Mother We Share”, two already indomitable tunes. Then around the 4th or 5th listen, it hit me, “Recover” is just as brilliant. It’s a soaring, synth-driven song soaking in melody, hooks and electronic mastery, all while sounding undeniably human, irrefutably warm. Then there’s Lauren Mayberry’s vocals. Pristine, piercing, and potent, they soar above the song and prop it up at the same time. I’m absolutely floored at how good the first 3 releases have been from the Glaswegians. It’s a hit or miss game to try to predict if a band is going to break or not, but I really feel that Chvrches will bust through in a huge way. There’s not better pop being made on planet earth right now. This sound will find ears. It’s already found mine and they can’t let it go.